Bob Dylan - Acetates on the Tracks Volume 1 & 2 (1962 - 1974) (1998)

Artist: Bob Dylan
Title: Acetates on the Tracks Volume 1 & 2 (1962 - 1974)
Year Of Release: 1998
Label: USA Treasure Records / Howlin Wolf-Records
Genre: Folk Rock, Classic Rock
Quality: 320 kbps / FLAC (tracks)
Total Time: 2:28:17
Total Size: 340 mb / 908 mb
WebSite: Album Preview
:: TRACKLIST ::Title: Acetates on the Tracks Volume 1 & 2 (1962 - 1974)
Year Of Release: 1998
Label: USA Treasure Records / Howlin Wolf-Records
Genre: Folk Rock, Classic Rock
Quality: 320 kbps / FLAC (tracks)
Total Time: 2:28:17
Total Size: 340 mb / 908 mb
WebSite: Album Preview
Acetates on the Tracks Volume 1
1 Instrumental Song 3:17
2 Milkcows Calf's Blues / Goodmorning Blues 2:31
3 Milkcows Calf's Blues / Goodmorning Blues 2:50
4 Wichita (Going To Louisiana) 3:06
5 Wichita (Going To Louisiana) 2:57
6 Whatcha Gonna Do 2:06
7 That's Alright Mama 3:22
8 Hero Blues 3:47
9 Lonesome Whistle Blues 2:07
10 I Don't Believe You 4:25
11 Chimes Of Freedom 7:10
12 Motorpsycho Nitemare 4:31
13 All I Really Want To Do 4:29
14 All I Really Want To Do 4:02
15 Mr. Tambourine Man 7:35
16 You Don't Have To Do That 0:55
17 Tombstone Blues 6:09
18 Tombstone Blues 5:54
19 Queen Jane Approximately 3:25
Freewheelin' sessions CBS Studios, NYC April 24 & 25, 1962 except: * Nov. 14, 1962
The Times sessions CBS Studios, NYC Aug-Oct 1963
Another Side sessions CBS Studios, NYC June 9, 1964
Newport Folk Festival 7-26-65 **Workshop 7-24-65
Bringing It All Back Home session Jan 13, 1965
Highway 61 sessions CBS Studio A, NYC June-July 1965
A jam packed 80 minute disc offering various studio outtakes of the 60s. While this is a great quality set, I prefer to have a full set from a particular session, rather than hop scotching on highlights. That said, there are some real gems here. While appearing on several other boot releases, the fan of top quality studio outtakes will enjoy this. This is the first installment of a series that was intended (as the title implies) to chronicle acetate recordings of studio outtakes. However, it loses momentum after the first two releases. The covers are generic scenes of roadways. While captivating, they have no Dylan tie-in.

Acetates on the Tracks Volume 2
1 Can You Please Crawl Out Your Window? 3:48
2 Can You Please Crawl Out Your Window? 4:08
3 Can You Please Crawl Out Your Window? 0:58
4 Desolation Row 11:55
5 Ballad Of A Thin Man 6:10
6 Ballad Of A Thin Man 5:50
7 I Wanna Be Your Lover 3:37
8 I Don't Wanna Be Your Partner 1:04
9 Visions Of Johanna 8:24
10 Visions Of Johanna 8:29
11 She's Your Lover Now 7:57
12 Instrumental 1:07
13 Working On A Guru 3:40
14 Tomorrow Is A Long Time 3:52
15 Nobody 'Cept You 2:40
Highway 61 sessions CBS studios, NYC, June/July 1965
(1) CBS Studio A, NY 10-20-65
(2) CBS Studio A, NY 10-30-65
(3) BOB outtake, Music Row, Nashville, TN 1/21/66
(4) Harrison session CBS Studio B, NY 5/01/70
(5) CBS Studios, NYC May-July 1970
(6) Village Studio, LA, CA Nov. 2, 1973
A superb follow-up to Vol.1 with tracks covering Highway 61 / Blonde on Blonde plus several sundry studio tracks from 1970 & 1973. Once again, quality is top notch and equivalent to the best previous CDs have had to offer - that's right, it seems to me that everything on here has been previously available. The upside is that many of the disks that offer these tracks are long out of print and near impossible to find. Anyway, included on here is the devastating solo piano version of "She's Your Lover Now," which is worth the price of admission alone. I always joke that this is the one song you must cue up for your friends who don't like Dylan - it will just reinforce their aversion to him because they just won't get it, particularly the opening (I can't really say I get it either -even if I thought I did I would'nt say so :-) ). Anyway, I feel compelled to be a little anal here and point out that 0:21 into this song, Dylan provides us with the most wondrous 3-4 seconds of humming I've ever heard - truly inspiring and tuneful and words can't describe it ("Come on, xyx, it's 3 seconds of humming, quit bullshitting and looking for some deep meaning in there." OK, sorry). Suffice it to say this track is a killer - the singing, the piano, the words - if you have'nt heard it, do yourself a favor and at least cop a tape of it. Then decide which one you prefer - this or the GBS 1-3 version w/the Band.
I've wasted enough of your time already but I would be remiss not to mention the other legendary unreleased cut included here - the "boiled guts of birds...nightingale's code" version of "Desolation Row." Many lyric variations and different musically to the H61 version. A must to hear this one also if you've never had the pleasure. Last detailed mention will go to the 2 cuts of "Visions of Johanna" (both sound similar to me), also completely different than the version on BonB. This one is also a necessity.
A wonderful collection of tracks and if someone can provide the source linkage it would be much appreciated . For instance, are these all from acetates? Maybe someone can print the full listing of Grogan and Gelston acetates. I'm also wondering about the sources of the last 4 tracks, as the only one where surface noise is evident is "Nobody 'Cept You." In any case, this one will certainly not disappoint.
I've wasted enough of your time already but I would be remiss not to mention the other legendary unreleased cut included here - the "boiled guts of birds...nightingale's code" version of "Desolation Row." Many lyric variations and different musically to the H61 version. A must to hear this one also if you've never had the pleasure. Last detailed mention will go to the 2 cuts of "Visions of Johanna" (both sound similar to me), also completely different than the version on BonB. This one is also a necessity.
A wonderful collection of tracks and if someone can provide the source linkage it would be much appreciated . For instance, are these all from acetates? Maybe someone can print the full listing of Grogan and Gelston acetates. I'm also wondering about the sources of the last 4 tracks, as the only one where surface noise is evident is "Nobody 'Cept You." In any case, this one will certainly not disappoint.