John Neschling, São Paulo Symphony Orchestra - Claudio Santoro: Symphonies Nos. 4 and 9, Ponteio, Frevo (2006) Hi-Res

  • 03 Feb, 09:29
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Artist:
Title: Claudio Santoro: Symphonies Nos. 4 and 9, Ponteio, Frevo
Year Of Release: 2006
Label: BIS
Genre: Classical
Quality: FLAC 24bit-44.1kHz / FLAC (tracks)
Total Time: 01:00:13
Total Size: 583 / 253 Mb
WebSite:

Tracklist:

Symphony No.4 (Sinfonia da Paz) 25'14
01. I. Allegro 6'18
02. II. Lento - Allegro - Lento 10'20
03. III. Allegro moderato e deciso (text: Antonieta de Morais e Silva) 8'36
04. Ponteio for string orchestra 5'48
Symphony No.9 24'42
05. I. Andante - Allegro molto 8'18
06. II. Andante (con moto) 5'03
07. III. Scherzino 2'43
08. IV. Allegro 8'38
09. Frevo 2'40

Performers:
São Paulo Symphony Orchestra Choir
São Paulo Symphony Orchestra
John Neschling, conductor

Our collaboration with São Paulo Symphony Orchestra (OSESP) has resulted in eight discs so far, including a first volume of the complete Bachianas Brasileiras by Villa-Lobos, as well as introducing lesser-known Brazilian composers such as Camargo Guarnieri, Francisco Mignone and Francisco Braga to a wider audience. The results have been electrifying, as has the critical response to both performances and works: ‘Impossible not to be converted to ‘Brasilianismo’ by this disc … Only joy itself could speak to us in such a marvellously brash manner’ (Fono Forum, about Mignone); ‘As with previous releases in this series, Neschling and his orchestra sound terrific... Terrific sonics, terrific music – Guarnieri merits very serious attention, no doubt about it. More, please.’ (Classics Today.com, about Guarnieri); ‘Under the inspired direction of John Neschling, the achievements of the São Paulo Orchestra are extraordinarily precise and colourful, aided by a recording of particular distinction’ (Répertoire, about Braga).
With the present disc, the turn has come to Claudio Santoro (1919-1989), whose orchestral output is represented by two of his symphonies as well as the shorter pieces Ponteio for strings – perhaps Santoro’s most performed orchestral work – and Frevo, both heavily indebted to Brazilian rhythms and sonorities.




  • gemofroe
  •  06:06
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thanks a lot