Freddy Kempf - Tchaikovsky: The Seasons, Grand Sonata (2016)

  • 08 Feb, 14:16
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Artist:
Title: Tchaikovsky: The Seasons, Grand Sonata
Year Of Release: 2016
Label: BIS
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:06:21
Total Size: 240 Mb
WebSite:

Tracklist:

Grand Sonata in G major, Op. 37 (1878) 26'12
01. I. Moderato e risoluto 11'06
02. II. Andante non troppo quasi moderato 6'48
03. III. Scherzo. Allegro giocoso 2'43
04. IV. Finale. Allegro vivace 5'35
The Seasons, Op. 37a (1876) 39'04
05. January (By the fireside). Moderato semplice ma espressivo 4'40
06. February (Carnival). Allegro giusto 2'45
07. March (Song of the lark). Andantino espressivo 2'15
08. April (Snowdrop). Allegretto con moto e un poco rubato 2'46
09. May (May nights). Andantino 3'25
10. June (Barcarolle). Andante cantabile 4'30
11. July (Song of the reaper). Allegro moderato con moto 1'40
12. August (The harvest). Allegro vivace 3'21
13. September (The hunt). Allegro non troppo 2'15
14. October (Autumn song). Andante doloroso e molto cantabile 4'35
15. November (Troika). Allegro moderato 2'40
16. December (Christmas). Tempo di Valse 4'12

Performers:
Freddy Kempf, piano

Peter Tchaikovsky composed one of the most popular piano concertos in the repertory, but in solo recital programmes his name is rarely seen. Although little known, his solo piano music can nevertheless be surprisingly rewarding. It includes two large-scale sonatas – a youthful work in C sharp minor, and the Grand Sonata in G major recorded here – and a large number of mainly short pieces published either singly or as collections throughout the composer's life. This type of work was profitable for composer and publishers, and an indication of the relative commercial value comes from a letter in which Tchaikovsky offers his publisher the Grand Sonata for only 50 roubles, but asks 240 roubles for the twenty-four little pieces of his Children’s Album, Op. 39. A work of big, public gestures, the sonata is anything but childish and to a large extent Tchaikovsky keeps the lyrical ideas that came so naturally to him firmly under control. In contrast, lyricism was given free rein two years earlier, in the twelve pieces that make up The Seasons. They were the result of a commission for a series of piano pieces to appear in a monthly St Petersburg journal. Some ten years after the serial publication in the journal the pieces appeared in print as a collection which has become Tchaikovsky’s best-known solo piano music. As with much of his work in this genre, the ultimate model is Schumann: January, for example, combines hints of Schumannesque Innigkeit with Tatiana’s music in Eugene Onegin. With the present recording Freddy Kempf, who made his acclaimed début recording with Schumann's Carnaval and has gone on to demonstrate his versatility in programmes taking in Bach as well as Liszt and Stravinsky, now adds Tchaikovsky to his discography.