Phyllis Hyman - Can't We Fall In Love Again (Expanded Edition) (1981)
Artist: Phyllis Hyman
Title: Can't We Fall In Love Again (Expanded Edition)
Year Of Release: 1981
Label: Arista/Legacy
Genre: Soul, R&B
Quality: 320 kbps | FLAC (tracks)
Total Time: 00:55:50
Total Size: 128 mb | 374 mb
WebSite: Album Preview
Tracklist:Title: Can't We Fall In Love Again (Expanded Edition)
Year Of Release: 1981
Label: Arista/Legacy
Genre: Soul, R&B
Quality: 320 kbps | FLAC (tracks)
Total Time: 00:55:50
Total Size: 128 mb | 374 mb
WebSite: Album Preview
01. Phyllis Hyman - You Sure Look Good to Me
02. Phyllis Hyman - Don't Tell Me, Tell Her
03. Phyllis Hyman - I Ain't Asking
04. Phyllis Hyman - Can't We Fall In Love Again
05. Phyllis Hyman - The Love Too Good to Last
06. Phyllis Hyman - Tonight You and Me
07. Phyllis Hyman - The Sunshine In My Life
08. Phyllis Hyman - Just Another Face In the Crowd
09. Phyllis Hyman - Sleep On It
10. Phyllis Hyman - If You Ever Change Your Mind
11. Phyllis Hyman - In Between the Heartaches
12. Phyllis Hyman - You're the One
13. Phyllis Hyman - I'm Not Asking You to Stay
Although Hyman was a premier vocalist, she was often given songs hat betrayed her impressive gifts, and this effort too often proves the point. Leading this 1981 set is "You Look So Good to Me," reminiscent of the Pointer Sisters' hit "He's So Shy." As talented as she was, girl-group sweetness wasn't her forte. The meandering dance workout "I Ain't Asking" is short on lyrics and Hyman has to riff over half of the song. The title track brought her back to a sense of normalcy; featuring duet partner Michael Henderson, the then-labelmates steam it up and exchange screams. With his booming voice, Henderson was one of the few male singers who had both the vocal range and persona to match her. The most pleasant surprise here is Hyman reuniting with Norman Connors on "The Love Too Good to Last," which was arranged by Paul Riser and written by Carole Bayer Sager, Burt Bacharach, and Peter Allen. Hyman's take was warm, polished and sexy; she didn't give an inch on her phrasing to tackle the abrupt cadences of the lyrics. "The Sunshine of My Life," with a smooth sax solo from Gary Bartz, sounds like it came from one of Connors' own classic late-'70s or early-'80s albums.