Red Garland - The Complete Recordings: 1961 - 1962 (2017)
Artist: Red Garland
Title: The Complete Recordings: 1961 - 1962
Year Of Release: 2017
Label: Enlightenment
Genre: Jazz
Quality: FLAC (tracks) / MP3
Total Time: 5:14:22
Total Size: 1.64 GB / 725 MB
WebSite: Album Preview
Tracklist:Title: The Complete Recordings: 1961 - 1962
Year Of Release: 2017
Label: Enlightenment
Genre: Jazz
Quality: FLAC (tracks) / MP3
Total Time: 5:14:22
Total Size: 1.64 GB / 725 MB
WebSite: Album Preview
01. On Green Dolphin Street
02. I Ain't Got Nobody
03. You'll Never Know
04. Blues in the Closet
05. What's New
06. Lil' Darlin'
07. What Is There to Say?
08. So Sorry Please
09. Billie's Bounce
10. Crazy Rhythm
11. Cta
12. Lazy Mae
13. Soft Winds
14. Solitude
15. Undecided
16. What Is There to Say? (1962)
17. Two Bass Hit
18. Sophisticated Swing
19. Solar
20. Where Are You?
21. Marie's Delight
22. This Can't Be Love
23. The Very Thought of You
24. Blues For 'News
25. I Just Can't See for Looking
26. Seeing Red
27. Stormy Weather
28. Cashmere
29. Slenderella
30. Moonlight Becomes You
31. Roc & Troll
32. Red's Good Groove
33. Love Is Here to Stay
34. This Time the Dream's on Me
35. Take Me in Your Arms
36. Excerent!
37. Falling in Love with Love
38. Why Was I Born?
39. The Nearness of You
40. Where or When
41. Long Ago and Far Away
42. I Got It Bad (And That Ain't Good)
43. Don't Worry About Me
44. Lush Life
45. All Alone
46. Sonny Boy
47. My Honey's Lovin' Arms
48. St. James Infirmary
49. I Ain't Got Nobody (1962)
50. Baby Wont You Please Come Home
51. Nobody Knows the Trouble I See
An internationally-renowned musician thanks in no small part to his close association with the likes of Miles Davis and John Coltrane, pianist Red Garland was at his artistic peak throughout the 1950s and early 1960s. Characterised through his now much-imitated style of combining octaves with fifths in his right hand block chords, Garland maintained a healthy career throughout this period, through releases as a sideman to some of the most legendary jazz musicians of the day as well as a significant number of his own recordings as bandleader. Although he continued to tour with his group over the coming years, Red Although he had been famed for his high-profile collaborations, by the early 1960s Garland was primarily focussing on his own recordings. Rejecting the shift towards modal jazz adopted by many of his contemporaries, Garland preferred to remain in a more traditional idiom, sticking with jazz standards, blues influences and occasional nods to the previous bebop era. He continued to tweak his craft in many ways. Solar would feature a quartet with the addition guitarist and flautist Les Spann, one of very few incidences where either instrument was included on a Red Garland recording. Also released in 1962, Red's Good Groove saw his group expand to a quintet with Blue Mitchell, Pepper Adams, Sam Jones and Philly Joe Jones, the latter of whom Garland had played alongside backing Miles Davis. His final and most critically acclaimed album of the year, When There Are Grey Skies (Prestige, 1962), resulted in critic Harvey Pekar to dub Garland one of the most important figures in recent jazz piano history. This collection is a fitting testament to the golden era of a much-overlooked artist. With over five hours of exceptional music in total, this set is a fascinating insight into how this remarkably talented individual managed to subtly become such an important influence on future generations of jazz pianists.