Galya Kolarova - Leoš Janáček: Piano Works (2021)

  • 19 Feb, 09:59
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Artist:
Title: Leoš Janáček: Piano Works
Year Of Release: 2021
Label: Aulicus Classics
Genre: Classical
Quality: FLAC (tracks)
Total Time: 75:14 min
Total Size: 194 MB
WebSite:

Tracklist:

01. Piano Sonata 1.X.1905 in E-Flat Minor: I. Předtucha (Foreboding)
02. Piano Sonata 1.X.1905 in E-Flat Minor: II. Smrt (Death)
03. On the Overgrown Path - Book I: No. 1, Our Evening
04. On the Overgrown Path - Book I: No. 2, A Blown-Away Leaf
05. On the Overgrown Path - Book I: No. 3, Come With Us!
06. On the Overgrown Path - Book I: No. 4, The Frýdek Madonna
07. On the Overgrown Path - Book I: No. 5, They Chattered Like Swallows
08. On the Overgrown Path - Book I: No. 6, Words Fail!
09. On the Overgrown Path - Book I: No. 7, Good Night!
10. On the Overgrown Path - Book I: No. 8, Unutterable Anguish
11. On the Overgrown Path - Book I: No. 9, In Tears
12. On the Overgrown Path - Book I: No. 10, The Barn Owl Has Not Flown Away!
13. In the Mists: No. 1, Andante
14. In the Mists: No. 2, Molto adagio
15. In the Mists: No. 3, Andantino
16. In the Mists: No. 4, Presto
17. Zdenka Variations in B-Flat Minor


Leoš Janáček (1854-1928) has been characterized as a composer who bridges the worlds of the Romantic and Avant-Garde. Janáček's Piano Sonata 1.X.1905 "From the Street" was intended as a reaction to the death of František Pavlík (1885-1905), who on 1 October 1905 was bayoneted to death during demonstrations in support of a Czech university in Brno. The little pieces of the cycle On an Overgrown Path contain distant memories. At first On an Overgrown Path was a collection of six harmonium pieces. By 1908 the cycle had grown to nine pieces, and was by then intended for piano instead of harmonium. It was in the spring of 1912 that Janáček completed the piano cycle In the Mists. All four parts of the cycle are largely written in "misty" keys with five or six flats. “Zdenka” Theme and Variations is a work which embraces the traditional tonal, Romantic style, but also uses folk elements and harmonic traits which anticipate Janáček’s later compositions.


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