Herbie Mann - The Complete Recordings: 1954-1957 (2013)

  • 09 Mar, 06:38
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Artist:
Title: The Complete Recordings: 1954-1957
Year Of Release: 2013
Label: Playtime
Genre: Jazz, Latin Jazz
Quality: FLAC (tracks)
Total Time: 6:55:43
Total Size: 1.72 GB
WebSite:

Tracklist:

01. Chicken Little
02. The Things We Did Last Summer
03. Between the Devil and the Deep Blue Sea
04. After Work
05. A Spring Morning
06. The Purple Grotto
07. My Little Suede Shoes
08. Fascinating Rhythm
09. Why Do I Love You
10. It's Only Sunshine
11. Love Letters
12. Let's Get Away from It All
13. Flying Home
14. I'll Remember April
15. Empathy
16. It Might as Well Be Spring
17. Just One of Those Things
18. Seven Comes Eleven
19. I've Told Ev'ry Little Star
20. Love Is a Simple Thing
21. There's No You
22. Sorimao
23. The Influential Mr. Cohn
24. A One Way Love
25. The Surrey with the Fringe on Top
26. Flamingo
27. Little Orphan Annie
28. Jasmin
29. Beverly
30. Woodchuck
31. Love and the Weather
32. But Beautiful
33. Spring Can Really Hang You up the Most
34. I'm Glad There Is You
35. A Sinner Kissed an Angel
36. High on a Windy Hill
37. Ill Wind
38. For Heaven's Sake
39. Autumn Nocturne
40. Moon Love
41. Morning Side of the Mountain
42. Like Someone in Love
43. Lady Bach
44. Little Girl
45. Imagination
46. Love Is Here to Stay
47. The Lady Is a Tramp
48. Dear Old Stockholm
49. Falling in Love with Love
50. Summertime
51. Blues for Leila
52. Lover Come Back to Me
53. Try a Little Tenderness
54. Afro Blues
55. Herbie's Buddy
56. Perdido
57. Baubles, Bangles and Beads
58. Give a Little Whistle
59. Here's Pete
60. Theme From 'Theme From'
61. Nancy with the Laughing Face
62. Morning After
63. Tutti Flutie
64. Bo-Do
65. Flute Bass Blues
66. Flute Bob
67. Solacium
68. Tel Aviv
69. Somewhere Else
70. Let's March
71. Chasing the Bird
72. Let Me Tell You
73. When the Sun Comes Out
74. Professor
75. Lazy Bones
76. Sultry Serenade
77. Little Man You've Had a Busy Day
78. One Morning in May
79. Swing Till the Girls Come Home
80. St. Louis Blues
81. Baia
82. Evolution of Mann
83. Oodles of Noodles
84. The Peanut Vendor
85. Star Dust
86. Strike up the Band
87. Yardbird Suite
88. Here's That Mann
89. One for Tubby
90. Squire's Parlor
91. Who Knew
92. Opicana
93. Look Thru the Window
94. Love
95. All Day Monday
96. From Midnight On
97. For the Love of Kali
98. Ruth, Ruth
99. Happy Happy
100. Like, You Know, Baby

Herbie Mann played a wide variety of music throughout his career. He became quite popular in the 1960s, but in the '70s became so immersed in pop and various types of world music that he seemed lost to jazz. However, Mann never lost his ability to improvise creatively as his later recordings attest.

Herbie Mann began on clarinet when he was nine but was soon also playing flute and tenor. After serving in the Army, he was with Mat Mathews' Quintet (1953-1954) and then started working and recording as a leader. During 1954-1958 Mann stuck mostly to playing bop, sometimes collaborating with such players as Phil Woods, Buddy Collette, Sam Most, Bobby Jaspar, and Charlie Rouse. He doubled on cool-toned tenor and was one of the few jazz musicians in the '50s who recorded on bass clarinet; he also recorded a full album in 1957 (for Savoy) of unaccompanied flute.

After spending time playing and writing music for television, Mann formed his Afro-Jazz Sextet, in 1959, a group using several percussionists, vibes (either Johnny Rae, Hagood Hardy, or Dave Pike) and the leader's flute. He toured Africa (1960) and Brazil (1961), had a hit with "Comin' Home Baby," and recorded with Bill Evans. The most popular jazz flutist during the era, Mann explored bossa nova (even recording in Brazil in 1962), incorporated music from many cultures (plus current pop tunes) into his repertoire, and had among his sidemen such top young musicians as Willie Bobo, Chick Corea (1965), Attila Zoller, and Roy Ayers; at the 1972 Newport Festival his sextet included David Newman and Sonny Sharrock. By then Mann had been a producer at Embroyo (a subsidiary of Atlantic) for three years and was frequently stretching his music outside of jazz. As the '70s advanced, Mann became much more involved in rock, pop, reggae, and even disco. After leaving Atlantic at the end of the '70s, Mann had his own label for awhile and gradually came back to jazz. He recorded for Chesky, made a record with Dave Valentin, and in the '90s founded the Kokopelli label on which before breaking away in 1996, he was free to pursue his wide range of musical interests. Through the years, he recorded as a leader for Bethlehem, Prestige, Epic, Riverside, Savoy, Mode, New Jazz, Chesky, Kokopelli, and most significantly Atlantic. He passed away on July 1, 2003, following an extended battle with prostate cancer. His last record was 2004's posthumously released Beyond Brooklyn for Telarc. ~ Scott Yanow


  • mufty77
  •  20:11
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Many thanks for lossless.