Erroll Garner - The Complete Recordings: 1956-1961 (2013)
Artist: Erroll Garner
Title: The Complete Recordings: 1956-1961
Year Of Release: 2013
Label: Playtime
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 7:24:12
Total Size: 1.8 GB
WebSite: Album Preview
Tracklist:Title: The Complete Recordings: 1956-1961
Year Of Release: 2013
Label: Playtime
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 7:24:12
Total Size: 1.8 GB
WebSite: Album Preview
01. The Way You Look Tonight
02. Turquoise
03. Pavanne
04. Impressions
05. Confessin'
06. I May Be Wrong
07. Skylark
08. Summertime
09. Flamingo
10. Reverie
11. Blue and Sentimental
12. I Can't Give You Anything but Love
13. Pastel
14. Play Piano Play
15. Don't Worry 'Bout Me
16. Love for Sale
17. Blues Garni
18. Loose Nuts
19. Frankie & Johnny Fantasy
20. Trio
21. Moment's Delight
22. On the Street Where You Live
23. Other Voices
24. This Is Always
25. Solitaire
26. I Didn't Know What Time It Was
27. Dreamy
28. It Might as Well Be Spring
29. The Very Thought of You
30. Misty (1957)
31. Girl of My Dreams
32. But Not for Me
33. Passing Through
34. Time on My Hands
35. Alexander's Ragtime Band
36. Full Moon and Empty Arms
37. Mambo 207
38. The Way Back Blues
39. Ol' Man River
40. The Song from Moulin Rouge
41. I Love Paris
42. French Doll
43. Don't Look for Me
44. Louise
45. Farewell to Paris
46. Left Bank Swing
47. Cote D'azur
48. La Vie En Rose
49. Paris Midnight
50. The French Touch
51. Paris Bounce
52. Paris Blues
53. My Man
54. La Petite Manbo
55. Tha Last Time I Saw Paris
56. When Paris Cries
57. Moroccan Quarter
58. Moonglow
59. Sophisticated Lady
60. Robbin's Nest
61. Creme De Menthe
62. Humoresque
63. How High the Moon
64. Fancy
65. Groovy-Day
66. The Man I Love
67. You'd Be so Nice to Come Home To
68. No More Time
69. I Surrender Dear
70. If I Had You
71. Don't Take Your Love from Me
72. Soliloquy
73. Misty (1961)
74. Exactly Like You
75. You Are My Sunshine
76. What Is This Thing Called Love
77. Frantonality
78. Again
79. Where or When
80. Love in Bloom
81. Through a Long and Sleepless Night
82. That Old Feeling
83. Just One of Those Things
84. I'm Getting Sentimental over You
85. Blue Lou
86. Come Rain or Come Shine
87. The Lady Is a Tramp
88. Sweet Lorraine
89. Dreamstreet
90. Mambo Gotham
91. Oklahoma Medley
92. You Do Something to Me
93. My Silent Love
94. All of Me
95. No More Shadows
96. St. Louis Blues
97. Some of These Days
98. I'm in the Mood for Love
99. El Papa Grande
100. The Best Things in Life Are Free
101. Back in Your Own Back Yard
102. Holiday for Strings
103. Look, Ma All Hands!
104. Margin for Erroll
105. You're Blase
One of the most distinctive of all pianists, Erroll Garner proved that it was possible to be a sophisticated player without knowing how to read music, that a creative jazz musician can be very popular without watering down his music, and that it is possible to remain an enthusiastic player without changing one's style once it is formed. A brilliant virtuoso who sounded unlike anyone else, on medium tempo pieces, Erroll Garner often stated the beat with his left hand like a rhythm guitar while his right played chords slightly behind the beat, creating a memorable effect. His playful free-form introductions (which forced his sidemen to really listen), his ability to play stunning runs without once glancing at the keyboard, his grunting, and the pure joy that he displayed while performing were also part of the Erroll Garner magic.
Garner, whose older brother Linton was also a fine pianist, appeared on the radio with the Kan-D-Kids at the age of ten. After working locally in Pittsburgh, he moved to New York in 1944 and worked with Slam Stewart's trio during 1944-1945 before going out on his own. By 1946, Garner had his sound together, and when he backed Charlie Parker on his famous Cool Blues session of 1947, the pianist was already an obvious giant. His unclassifiable style had an orchestral approach straight from the swing era but was open to the innovations of bop. From the early '50s on, Garner's accessible style became very popular and he never seemed to have an off day up until his forced retirement (due to illness) in early 1975. His composition "Misty" became a standard. Garner, who had the ability to sit at the piano without prior planning and record three albums in one day (all colorful first takes), made many records throughout his career for such companies as Savoy, Mercury, RCA, Dial, Columbia, EmArcy, ABC-Paramount, MGM, Reprise, and his own Octave label. ~ Scott Yanow
Garner, whose older brother Linton was also a fine pianist, appeared on the radio with the Kan-D-Kids at the age of ten. After working locally in Pittsburgh, he moved to New York in 1944 and worked with Slam Stewart's trio during 1944-1945 before going out on his own. By 1946, Garner had his sound together, and when he backed Charlie Parker on his famous Cool Blues session of 1947, the pianist was already an obvious giant. His unclassifiable style had an orchestral approach straight from the swing era but was open to the innovations of bop. From the early '50s on, Garner's accessible style became very popular and he never seemed to have an off day up until his forced retirement (due to illness) in early 1975. His composition "Misty" became a standard. Garner, who had the ability to sit at the piano without prior planning and record three albums in one day (all colorful first takes), made many records throughout his career for such companies as Savoy, Mercury, RCA, Dial, Columbia, EmArcy, ABC-Paramount, MGM, Reprise, and his own Octave label. ~ Scott Yanow
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