Bobby Hackett - Above Ground (2018)

  • 28 Mar, 08:10
  • change text size:

Artist:
Title: Above Ground
Year Of Release: 2018
Label: nagel heyer records
Genre: Jazz
Quality: FLAC (tracks) / MP3
Total Time: 1:29:08
Total Size: 521 / 209 MB
WebSite:

Tracklist:

01. I Guess I'll Have to Change My Plan
02. Where Were You Last Night
03. Lazy 'Sippi Steamer Goin' Home
04. Gate Mouth Blues
05. Someday You'll Be Sorry
06. Butter and Egg Bossa Nova
07. That's a Plenty
08. Wild Man Blues
09. Doctor Jazz
10. Lazy Mood
11. Don't Forget to Mess Around When You're Doing the Charleston
12. Swing That Music
13. If We Never Meet Again
14. Hear Me Talkin' to Ya
15. When a Woman Loves a Man
16. Way Down Yonder in New Orleans
17. Muskrat Ramble
18. Mama's Gone, Goodbye
19. Tin Roof Blues
20. Struttin' with Some Barbecue
21. Brother Bill
22. Everybody Loves My Baby
23. It's Wonderful
24. I've Found a New Baby
25. I'll Never Be the Same
26. Oh, Baby
27. Back Home in Indiana
28. But Not for Me

Bobby Hackett's mellow tone and melodic style offered a contrast to the brasher Dixieland-oriented trumpeters. Emphasizing his middle-register and lyricism, Hackett was a flexible soloist who actually sounded little like his main inspiration, Louis Armstrong.

When Hackett first came up he was briefly known as "the new Bix" because of the similarity in his approach to that of Bix Beiderbecke, but very soon he developed his own distinctive sound. Originally a guitarist (which he doubled on until the mid-'40s), Hackett performed in local bands, and by 1936 was leading his own group. He moved to New York in 1937, played with Joe Marsala, appeared at Benny Goodman's 1938 Carnegie Hall concert (recreating Beiderbecke's solo on "I'm Coming Virginia"), recorded with Eddie Condon, and by 1939 had a short-lived big band. Hackett played briefly with Horace Heidt, and during 1941-1942 was with Glenn Miller's Orchestra, taking a famous solo on "String of Pearls." Next up was a stint with the Casa Loma Orchestra, and then he became a studio musician while still appearing with jazz groups. Hackett was a major asset at Louis Armstrong's 1947 Town Hall Concert, in the 1950s he was a star on Jackie Gleason's commercial but jazz-flavored mood music albums, and he recorded several times with Eddie Condon and Jack Teagarden. During 1956-1957, Hackett led an unusual group that sought to modernize Dixieland (using Dick Cary's arrangements and an unusual instrumentation), but that band did not catch on. Hackett recorded some commercial dates during 1959-1960 (including one set of Hawaiian songs and another in which he was backed by pipe organ), he worked with Benny Goodman (1962-1963); backed Tony Bennett in the mid-'60s; co-led a well-recorded quintet with Vic Dickenson (1968-1970); and made sessions with Jim Cullum, the World's Greatest Jazz Band, and even Dizzy Gillespie and Mary Lou Williams, remaining active up until his death. Among the many labels Bobby Hackett recorded for as a leader were Okeh (reissued by Epic), Commodore, Columbia, Epic, Capitol, Sesac, Verve, Project 3, Chiaroscuro, Flying Dutchman, and Honey Dew. ~ Scott Yanow


  • mufty77
  •  22:00
  • Пользователь offline
    • Нравится
    • 0
Many thanks for lossless.