VA - The Modern Downhome Blues Sessions Vol. 2: Arkansas & Mississippi 1952 (2003)

Artist: Various Artists
Title: The Modern Downhome Blues Sessions Vol. 2: Arkansas & Mississippi 1952
Year Of Release: 2003
Label: Ace Records
Genre: Delta Blues
Quality: FLAC (tracks) | MP3 320 kbps
Total Time: 66:30
Total Size: 206 MB | 163 MB
WebSite: Album Preview
Tracklist:Title: The Modern Downhome Blues Sessions Vol. 2: Arkansas & Mississippi 1952
Year Of Release: 2003
Label: Ace Records
Genre: Delta Blues
Quality: FLAC (tracks) | MP3 320 kbps
Total Time: 66:30
Total Size: 206 MB | 163 MB
WebSite: Album Preview
1. All In My Dreams (3:12)
2. Take A Little Walk With Me (2:33)
3. Please Find My Baby (3:08)
4. Long Tall Woman (2:57)
5. Charley's Boogie Woogie (2:31)
6. G Man (2:29)
7. Operator Blues (Take 1, False Start) (0:38)
8. Operator Blues (Take 2) (1:42)
9. Superintendent Blues (2:47)
10. Monkey Motion (2:35)
11. Why Don't My Baby Write Me (2:58)
12. Operator Blues (Take 3) (2:34)
13. Blue Serenade (2:04)
14. Gonna Let You Go (2:04)
15. Step Back Baby (aka Please Send My Baby Back) (2:18)
16. Best Days (2:45)
17. Blue Serenade (Take 1) (2:39)
18. My Baby's Gone (2:13)
19. Step Back Baby (2:14)
20. Send My Baby Back (2:38)
21. Blue Serenade (Take 3) (2:42)
22. Good Morning Baby (2:52)
23. My Sweet Woman (2:56)
24. You're An Old Woman (3:03)
25. Shout Sister Shout (2:49)
26. I Feel So Good (2:58)
Modern Records was one of the great blues labels of the '50s, run by Joe Bihari out of Los Angeles. Modern released singles by Howlin' Wolf and Elmore James, and B.B. King was the label's biggest artist. But Bihari was not one to simply ride his current artists, and to this end, he enlisted Ike Turner as talent scout and the two of them traveled the South looking for new artists to record. Ace continues its documentation of these scouting trips with The Modern Downhome Blues Session, Vol. 2, which covers their March 1952 trip through Mississippi and Arkansas. Elmore James is easily the best-known performer here, but Houston Boines, Boyd Gilmore, and Driftin' Slim were all known in the South. Some of the tracks have some noticeable distortion present, but these are studio recordings, not field recordings. And although this music is from the Deep South, these are all urban blues tunes, complete with full electric bands. There are some great performances here, but it's a bit uneven and the inclusion of multiple takes of several tunes reinforces the documentary aspect of this series. As such, this series is clearly aimed at the blues fanatic/scholar or someone interested in understanding the complete history of Joe Bihari and Modern Records versus an entry point for the casual listener. ~Sean Westergaard