Aquarelle Guitar Quartet - Aspects (2016) [Hi-Res]

Artist: Aquarelle Guitar Quartet
Title: Aspects
Year Of Release: 2016
Label: Chandos
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 57:16
Total Size: 190 / 922 MB
WebSite: Album Preview
Tracklist:Title: Aspects
Year Of Release: 2016
Label: Chandos
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 57:16
Total Size: 190 / 922 MB
WebSite: Album Preview
1. York: Quiccan (6:27)
2. Rossini: L'italiana in Algeri: Sinfonia (Arr. R. Safhill) (8:07)
3. Henshall: 3 Welsch Dances: No. 2, Adagio cantabile (Arr. M. Baker) (3:56)
4. Ginastera: 3 Danzas Argentinas, Op. 2 (Arr. J.L.R. Lopes): No. 1, Danza del Viejo Boyero (1:25)
5. Ginastera: 3 Danzas Argentinas, Op. 2 (Arr. J.L.R. Lopes): No. 2, Danza de la Moza Donosa (3:36)
6. Ginastera: 3 Danzas Argentinas, Op. 2 (Arr. J.L.R. Lopes): No. 3, Danza del Gaucho Matrero (3:10)
7. Rivera: Cumba-Quín (5:02)
8. Pritchard: Stairs (3:53)
9. Houghton: Opals: No. 1, Black Opal (2:20)
10. Houghton: Opals: No. 2, Water Opal (5:26)
11. Houghton: Opals: No. 3, White Opal (2:58)
12. Marin: Flippen (Arr. M. Baker) (1:44)
13. Thile, Witcher, Pikelny, Eldridge, Kowert: Soon or Never (Arr. M. Baker) (3:27)
14. Marin: Flippen (Reprise) [Arr. M. Baker] (1:58)
15. Brunning: Elegy (3:51)
‘Aspects’ portrays the Aquarelle Guitar Quartet’s love of musical diversity. It is a collection of music that observes a startling variety of perspective and which reflects the group’s ability to craft an emotive and diverse musical tapestry.
The album includes original works for four guitars, arrangements that have been made by members of the group, and even a new work written especially for this project.
‘Aspects’ is both retrospective and prospective: it includes favourites which the Quartet has been performing for many years and also pieces which it has learnt specifically for this recording and which will form the basis of new concert programmes in the future.
The album includes original works for four guitars, arrangements that have been made by members of the group, and even a new work written especially for this project.
‘Aspects’ is both retrospective and prospective: it includes favourites which the Quartet has been performing for many years and also pieces which it has learnt specifically for this recording and which will form the basis of new concert programmes in the future.