Amber Weekes - 'Round Midnight (Re-Imagined) (2021)
Artist: Amber Weekes
Title: 'Round Midnight (Re-Imagined)
Year Of Release: 2021
Label: Amber Inn Productions
Genre: Jazz Vocals
Quality: FLAC (tracks) | MP3 320 kbps
Total Time: 51:54
Total Size: 312 MB | 125 MB
WebSite: Album Preview
Tracklist:Title: 'Round Midnight (Re-Imagined)
Year Of Release: 2021
Label: Amber Inn Productions
Genre: Jazz Vocals
Quality: FLAC (tracks) | MP3 320 kbps
Total Time: 51:54
Total Size: 312 MB | 125 MB
WebSite: Album Preview
1. Hazel's Hips (2:33)
2. Summer Samba (4:27)
3. Cristo Redentor / I Want Jesus To Walk With Me (5:01)
4. Sistermoon / Summertime (5:03)
5. My Romance (3:28)
6. Don't You Feel My Leg (3:13)
7. Something Cool (Radio Edit) (4:04)
8. One For My Baby (Radio Edit) (5:38)
9. The Man That Got Away (Radio Edit) (4:31)
10. Lovers (4:00)
11. 'Round Midnight (4:57)
12. More Than You Know (5:48)
After we get past the embarrassing tweeness of the title track where Weekes duets with her mentor Sue Raney things settle down to reveal a decent singer who mixes up the music quite nicely. She may not be the most distinctive individual in the world of so-called “jazz singers” but a combination of commitment allied to an eclectic choice of repertoire makes this a pleasant enough listening experience. The only other negative arrives on another duet, The Way He Makes Me Feel, this time with fellow Los Angeles singer Mon David whose tones may not be to everybody’s taste.
The three Oscar Brown Jr. compositions she lends her talents to give us a chance to hear the vocalist giving vent to three distinctive sides to her art, the sensitive rendition of Brown Baby (accompanied mainly by the bass of Trevor Ware), contrasting nicely against the lyrical warning of The Snake or the more aggressive stance on Master Kicks.
None of the standards overly suffer from another outing; Weekes is at home in familiar territory supported by some of LA’s finest, who do her proud. ~Peter Gamble
The three Oscar Brown Jr. compositions she lends her talents to give us a chance to hear the vocalist giving vent to three distinctive sides to her art, the sensitive rendition of Brown Baby (accompanied mainly by the bass of Trevor Ware), contrasting nicely against the lyrical warning of The Snake or the more aggressive stance on Master Kicks.
None of the standards overly suffer from another outing; Weekes is at home in familiar territory supported by some of LA’s finest, who do her proud. ~Peter Gamble