Trio Guarino & Ensemble Zandonai - Riccardo Zandonai: Musica da camera e per piccola orchestra (2014)

  • 14 Jun, 09:13
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Artist:
Title: Riccardo Zandonai: Musica da camera e per piccola orchestra
Year Of Release: 2014
Label: Tactus
Genre: Classical
Quality: FLAC (tracks)
Total Time: 3:12:59
Total Size: 694 MB
WebSite:

Tracklist:

DISC 1

01. Sinfonietta settecentesca
02. Berceuse
03. Serenata medioevale
04. Spleen
05. Il flauto notturno

Concerto andaluso
06. I. Seguidillas: Allegretto
07. II. Malaguenas: Allegretto
08. III. Finale: Allegro non troppo, ma brillante

DISC 2

String Quartet in G Major
01. I. Allegro moderato
02. II. Presto
03. III. Adagio
04. IV. Allegro

Trio
05. I. Moderato calmo
06. II. Tempo di Valzer - Piuttosto lento
07. III. Lento, grave e angoscioso - Allegro agitato - Lento e grave

08. La Principessa Tarakanova: Canzone: Scena degli uccellini (arr. F. Salabert for string trio)

DISC 3

01. Sera
02. Tempo di valzer
03. Telefunken
04. Ninna nanna
05. Ariette
06. Notti d'agosto
07. Dormi, mia bella, dormi
08. Vocalizzo

Primavera in Val di Sole
09. I. Alba triste: Lento ma non troppo
10. II. Il ruscello: Un poso mosso ma calmo
11. III. L'eco: Allegro deciso
12. IV. Nel bosco: Allegretto
13. V. Sciame di farfalle: Veloce e leggero

Riccardo Zandonai was a well-known musical figure in Italy in the mid-eighteenth century, principally for his melodramatic operas. Not many people know that he also composed some very good instrumental music, which indeed enjoyed a certain success in his own time. After his death, however, these compositions were written off as merely unimportant exercises. These instrumental compositions signified different things to Zandonai himself in different periods of his life. When he was young, his instrumental music gave him occasion to develop his talent beyond the academic learning of his school days and offered him the cachet of a well-rounded musician. When he was older, it provided a hedge against the crisis in the opera world which had ruined the fortunes of other musicians. It also afforded him a creative outlet. Zandonai always preferred to write music for large orchestras. As a conductor he contributed to the popularity of his own many and varied orchestral pieces. These included symphonic poems, concert pieces, and pieces from his operas re-worked for concert performances, which became very popular and circulated widely. His chamber music was quite different. Here the small size of the chamber orchestra allowed him to concentrate on the minute niceties of theme and phrasing, to control tone-colour, and to assume a confessional intimacy.


  • olga1001
  •  18:49
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Back cover is on amazon.com

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  • platico
  •  23:12
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gracias...