Med Flory - Go West, Young Med! Med Flory and His Orchestras 1954-1959 (2017)

  • 24 Jun, 07:08
  • change text size:

Artist:
Title: Go West, Young Med! Med Flory and His Orchestras 1954-1959
Year Of Release: 2017
Label: Fresh Sound Records
Genre: Jazz
Quality: FLAC (tracks) / MP3
Total Time: 1:03:48
Total Size: 324 / 148 MB
WebSite:

Tracklist:

01. Straight Ahead
02. No Thanks
03. The Fuzz
04. Three Times Around
05. Wonderful You
06. Joanie's Jump
07. Plain Jane Snavely
08. I Love You, That's All
09. Jazz Wave
10. An Occasional Man
11. Between the Devil and the Deep Blue Sea
12. Ocean Motion
13. On a Slow Boat to China
14. Sea Chase (Rosenshone)
15. Davy Jones
16. I Cover the Waterfront
17. Someone's Rocking My Dreamboat
18. Rapture of the Deep
19. Jonah and the Wail
20. Shish-Ka-Bob
21. Nobody Knows the Trouble I've Seen

Although saxophonist Med Flory (1926-2014) was associated with the West Coast jazz scene for most of his life, he started his career in New York in 1950, playing with the bands of Claude Thornhill, Art Mooney, Woody Herman and Tommy Tucker. In 1954 he had his own band there and he did his recording debut as a leader for Mercury’s jazz label, EmArcy.

While freelancing around New York, he recorded as a sideman with groups led by trumpeter Dick Collins, trombonist Urbie Green, pianist Nat Pierce, but in October 1955, Ray Anthony, who was touring the country with his band, hired him. By February 1956 they had arrived in Los Angeles and Flory decided to settle there, where he wrote arrangements for such combos as Billy Usselton’s and Dave Pell’s. Eventually he did some fine swinging arrangements for a 14-piece band that drew heavily on Anthony’s personnel, recording them for Kapp on March 12, 1956; the highlight of the session was his own Joanie’s Jump, a truly swinging piece with a Basie-like opening ensemble.

The following year he assembled a great band featuring Al Porcino’s superb lead trumpet work and recording for the Jubilee label, the album “Jazz Wave.” Their spirit, and the quality of the writing by Flory, Bill Holman, Bob Enevoldsen, Lennie Niehaus and Bill Hood, turned these big band sessions into jazz of the highest order. This compilation closes with two tracks by a saxophone band that Med Flory formed in 1959, called “The Sax Maniacs,” a concept he would revisit later with his renowned band “Supersax”.