Cannonball Adderley - Anthology: The Deluxe Colllection (Remastered) (2021)
Artist: Cannonball Adderley
Title: Anthology: The Deluxe Colllection (Remastered)
Year Of Release: 2021
Label: Master Tape Records
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 6:27:13
Total Size: 2.13 GB
WebSite: Album Preview
Tracklist:Title: Anthology: The Deluxe Colllection (Remastered)
Year Of Release: 2021
Label: Master Tape Records
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 6:27:13
Total Size: 2.13 GB
WebSite: Album Preview
DISC 1
01. Never Will I Marry (Remastered)
02. The Masquerade Is Over (Remastered)
03. Save Your Love for Me (Remastered)
04. A Little Taste (Remastered)
05. Minority (Remastered)
06. People Will Say We're in Love (Remastered)
07. Barefoot Sunday Blues (Remastered)
08. Nardis (Remastered)
09. Blues Oriental (Remastered)
10. Dat Dere (Remastered)
11. Fuller Bop Man (Remastered)
12. Soon (Remastered)
13. Clouds (Remastered)
14. I Guess I'll Hang My Tears out to Dry (Remastered)
15. Lolita (Remastered)
16. Cobbweb (Remastered)
17. Del Sasser (Remastered)
18. Jubilation (Remastered)
19. Just One of Those Things (Remastered)
20. Groovy Samba (Remastered)
21. Blue Funk (Remastered)
22. O Amor Em Paz (Remastered)
23. Spring Is Here (Remastered)
24. Straight, No Chaser (Remastered)
25. What's New? (Remastered)
DISC 2
01. Another Kind of Soul (Remastered)
02. Sounds for Sid (Remastered)
03. Them Dirty Blues (Remastered)
04. If I Love Again (Remastered)
05. Easy Living (Remastered)
06. I've Told Ev'ry Little Star (Remastered)
07. Miss Jackie's Delight (Remastered)
08. I Can't Get Started (Remastered)
09. Never Will I Marry 2 (Remastered)
10. I Remember You (Remastered)
11. Au Privave (Remastered)
12. Azule Serape (Remastered)
13. Grand Central (Remastered)
14. Limehouse Blue (Remastered)
15. Groovin' High (Remastered)
16. One Man's Dream (Remastered)
17. Never Say Yes (Remastered)
18. Stars Fell on Alabama (Remastered)
19. Jeannine (Remastered)
20. The Sidewalks of New York (Remastered)
21. The Sleeper (Remastered)
22. You're a Weaver of Dreams (Remastered)
23. Wabash (Remastered)
24. Unit 7 (Remastered)
25. Teaneck (Remastered)
DISC 3
01. Happy Talk (Remastered)
02. The Old Country (Remastered)
03. Little Unhappy Boy (Remastered)
04. A Sleepin' Bee (Remastered)
05. Serves Me Right (Remastered)
06. Corcovado (Remastered)
07. Joyce's Samba (Remastered)
08. Serenata (Remastered)
09. Straight Life (Remastered)
10. Poor Butterfly (Remastered)
11. Yours Is My Heart Alone (Remastered)
12. Our Delight (Remastered)
13. Work Song (Remastered)
14. Stay on It (Remastered)
15. Edie Mclin (Remastered)
16. Stella by Starlight (Remastered)
17. Jeannine 2 (Remastered)
18. Sambop (Remastered)
19. The Chant (Remastered)
20. If This Isn't Love (Remastered)
21. Spectacular (Remastered)
22. Things Are Getting Better (Remastered)
23. Minha Saudade (Remastered)
24. Batida Diferente (Remastered)
25. Tribute to Brownie (Remastered)
One of the great alto saxophonists, Cannonball Adderley had an exuberant and happy sound that communicated immediately to listeners. His intelligent presentation of his music (often explaining what he and his musicians were going to play) helped make him one of the most popular of all jazzmen.
MilestonesAdderley already had an established career as a high school band director in Florida when, during a 1955 visit to New York, he was persuaded to sit in with Oscar Pettiford's group at the Cafe Bohemia. His playing created such a sensation that he was soon signed to Savoy and persuaded to play jazz full-time in New York. With his younger brother, cornetist Nat, Cannonball formed a quintet that struggled until its breakup in 1957. Adderley then joined Miles Davis, forming part of his super sextet with John Coltrane and participating on such classic recordings as Milestones and Kind of Blue. Adderley's second attempt to form a quintet with his brother was much more successful for, in 1959, with pianist Bobby Timmons, he had a hit recording of "This Here." From then on, Cannonball always was able to work steadily with his band.
PhenixDuring its Riverside years (1959-1963), the Adderley Quintet primarily played soulful renditions of hard bop and Cannonball really excelled in the straight-ahead settings. During 1962-1963, Yusef Lateef made the group a sextet and pianist Joe Zawinul was an important new member. The collapse of Riverside resulted in Adderley signing with Capitol and his recordings became gradually more commercial. Charles Lloyd was in Lateef's place for a year (with less success) and then with his departure the group went back to being a quintet. Zawinul's 1966 composition "Mercy, Mercy, Mercy" was a huge hit for the group, Adderley started doubling on soprano, and the quintet's later recordings emphasized long melody statements, funky rhythms, and electronics. However, during his last year, Cannonball Adderley was revisiting the past a bit and on Phenix he recorded new versions of many of his earlier numbers. But before he could evolve his music any further, Cannonball Adderley died suddenly from a stroke. ~ Scott Yanow
MilestonesAdderley already had an established career as a high school band director in Florida when, during a 1955 visit to New York, he was persuaded to sit in with Oscar Pettiford's group at the Cafe Bohemia. His playing created such a sensation that he was soon signed to Savoy and persuaded to play jazz full-time in New York. With his younger brother, cornetist Nat, Cannonball formed a quintet that struggled until its breakup in 1957. Adderley then joined Miles Davis, forming part of his super sextet with John Coltrane and participating on such classic recordings as Milestones and Kind of Blue. Adderley's second attempt to form a quintet with his brother was much more successful for, in 1959, with pianist Bobby Timmons, he had a hit recording of "This Here." From then on, Cannonball always was able to work steadily with his band.
PhenixDuring its Riverside years (1959-1963), the Adderley Quintet primarily played soulful renditions of hard bop and Cannonball really excelled in the straight-ahead settings. During 1962-1963, Yusef Lateef made the group a sextet and pianist Joe Zawinul was an important new member. The collapse of Riverside resulted in Adderley signing with Capitol and his recordings became gradually more commercial. Charles Lloyd was in Lateef's place for a year (with less success) and then with his departure the group went back to being a quintet. Zawinul's 1966 composition "Mercy, Mercy, Mercy" was a huge hit for the group, Adderley started doubling on soprano, and the quintet's later recordings emphasized long melody statements, funky rhythms, and electronics. However, during his last year, Cannonball Adderley was revisiting the past a bit and on Phenix he recorded new versions of many of his earlier numbers. But before he could evolve his music any further, Cannonball Adderley died suddenly from a stroke. ~ Scott Yanow
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