Volker Reinhold, Ralph Zedler - From Belcanto to Jazz: Opera Phantasies from 150 Years (2019)

  • 30 Jun, 10:31
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Artist:
Title: From Belcanto to Jazz: Opera Phantasies from 150 Years
Year Of Release: 2019
Label: MDG Scene
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:19:00
Total Size: 344 Mb
WebSite:

Tracklist:

1. Fantasia para Violin y Piano (Su Motivi Della Traviata di Giuseppe Verdi, Op. 50) 15:17
2. Fantaisie pour Violon e Piano (Sur Faust de Ch. Gounod) 15:41
3. Fantaisie pour Violon e Piano (Sur des Motifs de l’Opera "La Vie pour le Czar", Op. 16) 13:40
4. Fantaisie pour Violon e Piano (Sur la Quatrième Corde "Norma de Bellini", Op. 18) 18:30
5. Concert Fantasy on Themes for Violin and Piano (From Gershwin’s Opera Porgy and Bess, Op. 19) 15:52

Performers:
Volker Reinhold (violin)
Ralph Zedler (piano)

From day one, it was normal practice for travelling virtuosos to perform fantasies on the famous operas of the nineteenth century.

After Volker's successful release of Pablo de Sarasate's complete fantasies and paraphrases (MDG9031819) the highly sought-after Schwerin concertmaster once again broadens our horizons with his piano partner Ralph Zedler and presents virtuoso opera arrangements spanning 150 years: discoveries are guaranteed!

La traviata of course is a must on every program. Antonio Bazzini transformed Verdi's famous opera into an intimate character portrait of Violetta and two contributions were penned by Henri Vieuxtemps.

His fantasy on Bellini's Norma is to be played in its entirety on the violin?s lowest string, which for this purpose is to be tuned a fourth higher, from G to C ? à la Paganini! Here the youthful violin magician can very much be heard, while his late work on Gounod?s Faust reveals the mature artist.

Reinhold and Zedler conclude their entertaining tour through one and a half centuries with two works that may not be so well known but for this precise reason arouse all the more interest. Frantizek Ondricek's looks eastward with his arrangement of Glinka's A Life for the Tsar, and Igor Frolov, who was once David Oistrach's assistant, supplies the dazzling conclusion with Gershwin's Porgy and Bess and its jazzy touches, of course including 'Summertime.'