Enrico Caruso - Antología: La Colección Completa (Remastered) (2021)
Artist: Enrico Caruso
Title: Antología: La Colección Completa (Remastered)
Year Of Release: 2021
Label: Master Tape Records
Genre: Classical
Quality: FLAC (tracks)
Total Time: 6:00:07
Total Size: 1.49 GB
WebSite: Album Preview
Tracklist:Title: Antología: La Colección Completa (Remastered)
Year Of Release: 2021
Label: Master Tape Records
Genre: Classical
Quality: FLAC (tracks)
Total Time: 6:00:07
Total Size: 1.49 GB
WebSite: Album Preview
DISC 1
01. O Sole Mio (Remastered)
02. Act I: Mia Piccirella (Remastered)
03. II trovatore, Act IV: Se M'Ami Ancor: Ai Nostri Monti (Remastered)
04. Addio a Napoli (Remastered)
05. Tu, Ca Nun Chiagne (Remastered)
06. I' M'Arricordo 'e Napule (Remastered)
07. Senza Nisciuno (Remastered)
08. Pecchè? (Remastered)
09. Amor Mio (Remastered)
10. A Vucchella (Remastered)
11. Guardann'a Luna (Remastered)
12. La Mia Canzone (Remastered)
13. La Danza (Remastered)
14. Ave Maria (Remastered)
15. Fenesta Che Lucive (Remastered)
16. Crucifix (Remastered)
17. Lucia di Lammermoor, Act II: Chi Mi Frena In Tal Momento? (Remastered)
18. Tarantella Sincera (Remastered)
19. Rigoletto, Act IV: Bella Figlia Dell'Amore (Remastered)
20. Dreams of Long Ago (Remastered)
21. The Lost Chord (Remastered)
22. Because (Remastered)
23. Hosanna (Remastered)
24. Manon, Act II: Manon! On L'Appelle Manon (Remastered)
25. La Bohème, Act I: O Soave Fanciulla (Remastered)
DISC 2
01. Don Carlo, Act II: Domanda al Ciel: Dio, Che Nell'Alma Infondere (Remastered)
02. Pimpinella (Remastered)
03. Rigoletto, Act III: Ella Mi Fu Rapit! (Remastered)
04. Agnus Dei (Remastered)
05. Manon Lescaut, Act I: Donna Non Vidi (Remastered)
06. Your Eyes Have Told Me What I Did No (Remastered)
07. Stabat Mater: Cujus Animam (Remastered)
08. Les Rameaux (Remastered)
09. Cavalleria Rusticana: Addio Alla Madre (Remastered)
10. Otello, Act II: Oh! Mostruosa Colpa! (Remastered)
11. Sérénade de Don Juan (Remastered)
12. Manella Mia (Remastered)
13. Les Rameaux 2 (Remastered)
14. Trusting Eyes (Remastered)
15. Serenade Espagnole (Remastered)
16. Parted (Remastered)
17. Un Ballo In Maschera, Act I: La Rivedrà Nellèstasi (Remastered)
18. Un Ballo in Maschera, Act I: È Scherzo od è Follia (Remastered)
19. La Partida (Remastered)
20. El Milagro de la Virgen: Flores Purísimas (Remastered)
21. La Traviata, Act I: Brindisi: Libiamo, Libiamo (Remastered)
22. Il Guarany, Act I: Sento una Forza Indomita (Remastered)
23. Hantise d'Amour (Remastered)
24. Carmen, Act I: Parle-Moi de Ma Mère (Remastered)
25. Carmen, Act I: Parle-Moi de Ma Mère 2 (Remastered)
DISC 3
01. Lasciati Amar (Remastered)
02. Cielo Turchino (Remastered)
03. Requiem: Ingemisco (Remastered)
04. Il Duca d'Alba, Act IV: Angelo Casto E Bel (Remastered)
05. Si Vous L'Aviez Compris (Remastered)
06. Les Deux Sérénades (Remastered)
07. La Procession (Remastered)
08. Le Cid, Act III: Ah! Tout Est Bien Fini! Ö Souverain! Ö Juge! Ö Père! (Remastered)
09. Luna D'Estate (Remastered)
10. La Reine de Saba, Act III: Faiblesse de la Race Humaine! (Remastered)
11. Mia Sposa Sarà La Mia Bandiera (Remastered)
12. Macbeth, Act IV: Ah, La Paterna Mano (Remastered)
13. La Bohème, Act IV: Vecchia Zimarra (Remastered)
14. Cantique de Noël (Remastered)
15. Nina (Remastered)
16. Premère Caresse (Remastered)
17. Serenata (Remastered)
18. Scordame (Remastered)
19. Love Me or Not (Remastered)
20. Serse: Act I: Ombra Mai Fu (Remastered)
21. Noche Feliz (Remastered)
22. La Juive, Act IV: Rachel, Quand Du Seigneur (Remastered)
23. Vaghissima Sembianza (Remastered)
24. L'Africane: Act III: Deh, Ch'Io Ritorni (Remastered)
25. Amadis De Gaule, Act II: Bois Épais (Remastered)
DISC 4
01. Germania: Studenti, Udite! (Remastered)
02. A la Luz de la Luna (Remastered)
03. Sei Morta Nella Vita Mia (Remastered)
04. La Partida 2 (Remastered)
05. La Forza del Destino, Act III: Nè Gustare M'è Dato Un'Ora ... Sleale! Il Segreto Fu Dunque Violato? (Remastered)
06. Over There (Remastered)
07. Pietà, Signore (Remastered)
08. A Granada (Remastered)
09. Campane a Sera: Ave Maria (Remastered)
10. Inno di Garibaldi (Remastered)
11. La Campana di San Giusto (Remastered)
12. Sultano A 'tte (Remastered)
13. Samson et Dalila, Act I: Je Viens Célebrer la Victoire (Remastered)
14. L'Elisir d'Amore, Act II: Venti Scudi! (Remastered)
15. Vieni Sul Mar (Remastered)
16. Elégie (Remastered)
17. Germania - Studenti, Udite (Remastered)
18. Germania: Ah, Vieni Qui... No, Non Chiuder Gli Occhi (Remastered)
19. I Lombardi, Act III: Qual Voluttà Trascorrere (Remastered)
20. A Dream (Remastered)
21. Petite Messe Solennelle: Domine Deus (Remastered)
22. Petite Messe Solennelle: Crucifixus (Remastered)
23. Mefistofele: Dai Campi, Dai Prati (Remastered)
24. Mefistofele: Giunto Sul Passo Estre (Remastered)
25. Triste Ritorno (Remastered)
The most famous operatic tenor of all time, Enrico Caruso (né Errico Caruso) was born on February 25, 1873 (not on February 27, as given in many reference books). He was the third child of his relatively poor parents -- not the 18th, as is often repeated in popular myth. He began serious vocal studies with Guglielmo Vergine in 1891 and later studied with Vincenzo Lombardi. In 1895, he made his debut in L'amico Francesco by Domenico Morelli. That fall in Cairo, he sang Cavalleria rusticana, La Traviata, Lucia di Lammermoor, La Gioconda, and Manon Lescaut, all in less than four weeks.
His international fame began when he sang Loris in the premiere of Giordano's Fedora in 1898. In the following seasons, he sang at St. Petersburg, Moscow, Buenos Aires, Milan, Monte Carlo, and London. Arturo Toscanini conducted his Teatro alla Scala debut when he sang Rodolfo in La bohème. Nellie Melba was his partner at his London debut in Rigoletto.
After making his very successful debut at the Metropolitan Opera as the Duke in Rigoletto, Caruso made the United States his primary operatic home. He spent the major part of each year singing there and usually had the honor of singing opening nights. He also took part in the annual Metropolitan Opera tour of the U.S., and in 1906 was caught in the great San Francisco earthquake right after his performance in Carmen. It was at the Metropolitan Opera that he sang the premiere of Puccini's La fanciulla del West.
As he aged, Caruso began to take on heavier roles including Samson, Eleazar in La Juive, and Vasco in L'africaine. After the tour each season, Caruso would travel to South America and/or Europe to sing and vacation. He never sang in his native city of Naples after 1902 because of a particularly nasty reception to his performances of Massenet's Manon. In 1920, he underwent several operations for pleurisy, but his health continued to decline afterwards. He returned to his native Naples, where he died in 1921.
Caruso's voice had a warmth, and an almost baritonal quality, which was different from the bright, ringing sound favored by most of the colleagues. The voice was extremely beautiful and he had an excellent feeling for the shape of a phrase. His sound recorded very well which helped to make his recordings among the most popular of his time; many of these selections have been available in one format or another since they were first issued. He was for many years the best selling classical performer in America.
Known as a generous colleague as well a great practical joker on stage, Caruso was welcome everywhere. He was a firm believer in good food, good wine, and a good cigar. However, whenever a friend was in a difficult situation, he was the first to offer help. One evening in Philadelphia when a colleague playing Colline became hoarse during a performance of La bohème, Caruso sang the bass aria for him to save the performance. During World War I, he sang in many benefit concerts to raise money for the war effort. To this day Caruso is imprinted in the imagination as the archetypal operatic tenor. ~ Richard LeSueur
His international fame began when he sang Loris in the premiere of Giordano's Fedora in 1898. In the following seasons, he sang at St. Petersburg, Moscow, Buenos Aires, Milan, Monte Carlo, and London. Arturo Toscanini conducted his Teatro alla Scala debut when he sang Rodolfo in La bohème. Nellie Melba was his partner at his London debut in Rigoletto.
After making his very successful debut at the Metropolitan Opera as the Duke in Rigoletto, Caruso made the United States his primary operatic home. He spent the major part of each year singing there and usually had the honor of singing opening nights. He also took part in the annual Metropolitan Opera tour of the U.S., and in 1906 was caught in the great San Francisco earthquake right after his performance in Carmen. It was at the Metropolitan Opera that he sang the premiere of Puccini's La fanciulla del West.
As he aged, Caruso began to take on heavier roles including Samson, Eleazar in La Juive, and Vasco in L'africaine. After the tour each season, Caruso would travel to South America and/or Europe to sing and vacation. He never sang in his native city of Naples after 1902 because of a particularly nasty reception to his performances of Massenet's Manon. In 1920, he underwent several operations for pleurisy, but his health continued to decline afterwards. He returned to his native Naples, where he died in 1921.
Caruso's voice had a warmth, and an almost baritonal quality, which was different from the bright, ringing sound favored by most of the colleagues. The voice was extremely beautiful and he had an excellent feeling for the shape of a phrase. His sound recorded very well which helped to make his recordings among the most popular of his time; many of these selections have been available in one format or another since they were first issued. He was for many years the best selling classical performer in America.
Known as a generous colleague as well a great practical joker on stage, Caruso was welcome everywhere. He was a firm believer in good food, good wine, and a good cigar. However, whenever a friend was in a difficult situation, he was the first to offer help. One evening in Philadelphia when a colleague playing Colline became hoarse during a performance of La bohème, Caruso sang the bass aria for him to save the performance. During World War I, he sang in many benefit concerts to raise money for the war effort. To this day Caruso is imprinted in the imagination as the archetypal operatic tenor. ~ Richard LeSueur
![Ganavya - Daughter of a Temple (2024) [Hi-Res]](https://www.dibpic.com/uploads/posts/2024-11/1731519571_folder.jpg "Ganavya - Daughter of a Temple (2024) [Hi-Res]")
![Cosmic Swing Orchestra - Open Your Brain (2024) [Hi-Res]](https://www.dibpic.com/uploads/posts/2024-11/1731641758_e62shyp6g2rka_600.jpg "Cosmic Swing Orchestra - Open Your Brain (2024) [Hi-Res]")
![Trance Map - Horizons Held Close (2024) [Hi-Res]](https://www.dibpic.com/uploads/posts/2024-11/1731743206_folder.jpg "Trance Map - Horizons Held Close (2024) [Hi-Res]")
![Magnus Bakken - Slackline (2024) [Hi-Res]](https://www.dibpic.com/uploads/posts/2024-11/1731636119_aqzxwrc3g3tha_600.jpg "Magnus Bakken - Slackline (2024) [Hi-Res]")