Mal Waldron - Twelve Classic Albums: 1956-1961 (2014)

  • 01 Aug, 07:09
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Artist:
Title: Twelve Classic Albums: 1956-1961
Year Of Release: 2014
Label: Tritone
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 8:08:54
Total Size: 2.45 GB
WebSite:

Tracklist:

01. Stablemates
02. Yesterdays
03. Transfiguration
04. Bud Study
05. Dee's Dilemma
06. Shome
07. Potpourri (February 1957)
08. Blues Without Woe
09. Touche
10. Dakar
11. Embraceable You
12. Hello Frisco
13. Things Ain't What They Used to Be
14. Wheelin'
15. Robbins' Nest
16. Dealin'
17. From This Moment On
18. J.M.'s Dream (1957)
19. The Way You Look Tonight
20. One by One
21. Don't Explain
22. Potpourri (April 1957)
23. Tension
24. Ollie's Caravan
25. The Cattin' Toddler
26. Portrait of a Young Mother
27. For Every Man There's a Woman
28. Splidium-Dow
29. Like Someone in Love
30. Get Happy
31. J.M.'s Dream (1958)
32. Too Close for Comfort
33. By Myself
34. Love Span
35. Minor Groove
36. Blue Echo
37. Blue Dip
38. Gospel Truth
39. Jumpin' with Symphony Sid
40. Trinidad
41. Left Alone
42. Cat Walk
43. You Don't Know What Love Is
44. Minor Pulsation
45. Airegin
46. Staggers
47. Song of a Star
48. The Eagle Flies
49. Bunni
50. Reiteration
51. Everything Happens to Me
52. Champs Elysees
53. All About Us
54. Ciao!
55. All the Way
56. With a Song in My Heart
57. You Stepped out of a Dream
58. C'est Formidable
59. Status Seeking
60. Duquility
61. Thirteen
62. We Diddit
63. Warm Canto
64. Warp and Woof
65. Fire Waltz
66. Rally
67. Bass Duet
68. Softly, As in a Morning Sunrise
69. Where
70. Yes, Indeed
71. Saucer Eyes

A pianist with a brooding, rhythmic, introverted style, Mal Waldron's playing has long been flexible enough to fit into both hard bop and freer settings. Influenced by Thelonious Monk's use of space, Waldron has had his own distinctive chord voicings nearly from the start. Early on, Waldron played jazz on alto and classical music on piano, but he switched permanently to jazz piano while at Queens College. He freelanced around New York in the early '50s with Ike Quebec (for whom he made his recording debut), Big Nick Nicholas, and a variety of R&B-ish groups. Waldron frequently worked with Charles Mingus from 1954-1956 and was Billie Holiday's regular accompanist during her last two years (1957-1959). Often hired by Prestige to supervise recording sessions, Waldron contributed many originals (including "Soul Eyes," which became a standard) and basic arrangements that prevented spontaneous dates from becoming overly loose jam sessions.

Free at LastAfter Holiday's death, he mostly led his own groups, although he was part of the Eric Dolphy-Booker Little Quintet that was recorded extensively at the Five Spot in 1961, and also worked with Abbey Lincoln for a time during the era. He wrote three film scores (The Cool World, Three Bedrooms in Manhattan, and Sweet Love Bitter) before moving permanently to Europe in 1965, settling in Munich in 1967. Waldron, who has occasionally returned to the U.S. for visits, has long been a major force in the European jazz world. His album Free at Last was the first released by ECM, and his Black Glory was the fourth Enja album. Waldron, who frequently teamed up with Steve Lacy (often as a duet), kept quite busy up through the '90s, featuring a style that evolved but was certainly traceable to his earliest record dates. Among the many labels that have documented his music have been Prestige, New Jazz, Bethlehem, Impulse, Musica, Affinity, ECM, Futura, Nippon Phonogram, Enja, Freedom, Black Lion, Horo, Teichiku, Hat Art, Palo Alto, Eastwind, Baybridge, Paddle Wheel, Muse, Free Lance, Soul Note, Plainisphere, and Timeless. In September of 2002, Waldron was diagnosed with cancer. Remaining optimistic, he continued to tour until he passed away on December 2 in Brussels, Belgium at the age of 76. ~ Scott Yanow