Karl-Ernst Schröder - Amours amours amours (2015)

  • 04 Aug, 23:23
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Artist:
Title: Amours amours amours
Year Of Release: 2015
Label: Glossa
Genre: Classical
Quality: FLAC (tracks+booklet)
Total Time: 58:14 min
Total Size: 256 MB
WebSite:

Tracklist:

1. Ave Maria gratia plena
2. Amours amours amours
3. De tous biens plaine
4. La morra
5. Calata
6. Petits riens
7. Jay pris amours
8. Fortuna desperata
9. De tous biens plaine
10. La Bernardina de Josquin
11. Chui dicese
12. Moro de doglia
13. Aime sospiri
14. Le serviteur
15. Tandernakem
16. Amours amours
17. Scaramella
18. De tous biens plaine
19. Scaramella
20. Tandernaken
21. Fortuna desperata
22. Fortuna desperata
23. Bassadanza
24. Tandernaken
25. Ogni cosa
26. Duo
27. E qui le dira
28. De tous bien plain
29. Juli amours
30. Je ne fay
31. Adieu mes amours (arr. for lute)


The Schola Cantorum in Basel has long championed the imaginative exploration of early music, creating expertly-researched programmes and encouraging superbly-performed interpretations with a close attention also to the most appropriate recording conditions. Such was the case with Amours amours amours, a disc of lute duos starting from music composed in the fifteenth century, recorded in 2001 by Karl-Ernst Schröder and Crawford Young and deservedly justifying its reissue now, courtesy of Glossa.

The two artists – and sadly Schröder was to die not long after the original release of the recording, which continues to serve as a memorial for him – had delved into the world of Renaissance chansons, frottole, basses danses and tenors, and the known arrangements of such original vocal and instrumental works. They had conjured an eminently satisfying selection which demonstrated both the legacy of this widely practiced performance activity and also Schröder and Young’s own improvisatory talents.

Beginning with the early musical prints of Ottaviano Petrucci, the lutenists have made use of Francesco Spinacino’s arrangements as a starting point for considering two, three and four-part versions of pieces by Josquin, Agricola, Ambrosio and Isaac and many other composers of the time, with the theme of love – as with the disc’s title – wordlessly flowing through the whole programme. The recording is accompanied by illuminating notes by Martin Kirnbauer and the two artists themselves.