Sparks - The Seduction Of Ingmar Bergman (2009)

  • 10 Aug, 15:33
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Artist:
Title: The Seduction Of Ingmar Bergman
Year Of Release: 2009
Label: SR Records
Genre: Rock, Electronic, Pop, Experimental
Quality: FLAC (tracks+.cue,log) / MP3 320 Kbps
Total Time: 01:04:22
Total Size: 379 / 163 Mb
WebSite:

Tracklist:

01. 1956 Cannes Film Festival (01:55)
02. "I Am Ingmar Bergman" (03:09)
03. Limo Driver (Welcome To Hollywood) (03:08)
04. "Here He Is Now" (01:18)
05. "Mr. Bergman, How Are You?" (04:28)
06. "He'll Come 'Round" (01:44)
07. En Route To The Beverly Hills Hotel (01:56)
08. Hollywood Welcome Committee (02:36)
09. "I've Got To Contact Sweden" (02:40)
10. The Studio Commissary (03:07)
11. "I Must Not Be Hasty" (01:47)
12. "Quiet On The Set" (01:06)
13. "Why Do You Take That Tone With Me?" (02:52)
14. Pleasant Hotel Staff (00:54)
15. Hollywood Tour Bus (01:33)
16. Autograph Hounds (02:20)
17. Bergman Ponders Escape (02:25)
18. "We've Got To Turn Him 'Round" (02:36)
19. Escape (Part 1) (04:14)
20. Escape (Part 2) (05:58)
21. "Oh My God" (02:59)
22. Garbo Sings (03:47)
23. Almost A Hollywood Ending (02:12)
24. "He's Home" (03:38)

Bass - Marcus Blake
Drums - Steven Nistor, Tammy Glover
Guitar - Dean Menta, Jim Wilson (2)
Keyboards - Ron Mael
Vocals - Russell Mael
Written-By, Producer, Recorded By, Mixed By - Ron Mael, Russell Mael

Originally commissioned by Sweden's national public radio station Sveriges Radio to write and produce an original radio musical, Sparks created the musical fantasy based on the internationally acclaimed film director Ingmar Bergman.
Says Ron, "As Americans, we have almost abandoned radio drama, and it was truly exhilarating for us to work in a medium where the imagination of the listener is so integral a part of the work. Aside from our love of Bergman, we have a love of Orson Welles and his use of the medium of radio was something that inspired us in this work."
The Seduction of Ingmar Bergman is just over 60 minutes of wonderfully original music that tells a fantasy "what if" story. Though his films' themes have traditionally centered on matters of death, faith, God's existence, and the struggle to find love and meaning in our lives, in the musical Bergman is confronted by the lure of a mythological Hollywood seemingly at odds with all he stands for--a Hollywood that tempts him and ultimately tries to control him. What starts as an exploration by Bergman of the possible mutual benefits of his working in Hollywood turns into a Kafkaesque nightmare, one that ends with the aid of a most unlikely savior.




  • Innocent bystander
  •  17:05
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Thanks for the re-up.
  • mufty77
  •  18:05
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Many thanks for lossless.