Sylvain Luc, Bireli Lagrene - Duet (2000) Lossless
Artist: Sylvain Luc, Bireli Lagrene
Title: Duet
Year Of Release: 2000
Label: Dreyfus Jazz
Genre: Jazz, Guitar
Quality: FLAC (tracks)
Total Time: 55:02
Total Size: 262 Mb
WebSite: Album Preview
Tracklist: Title: Duet
Year Of Release: 2000
Label: Dreyfus Jazz
Genre: Jazz, Guitar
Quality: FLAC (tracks)
Total Time: 55:02
Total Size: 262 Mb
WebSite: Album Preview
1. Time After Time. 04:14
2. Douce Ambiance. 04:02
3. Estate. 04:11
4. Made in France. 03:18
5. La ballade irlandaise. 06:41
6. Isn't She Lovely. 04:02
7. Road Song. 04:18
8. Zurezat. 04:12
9. Stompin' at the Savoy. 05:43
10. Les amoureux des bancs publics. 04:38
11. Blackbird. 03:23
12. Syracuse. 04:22
13. Looking Up. 01:58
Performers:
Biréli Lagrène, Guitar
Sylvain Luc, Guitar
These acoustic guitar duets between Sylvain Luc and the renowned virtuoso Bireli Lagrene finds much common ground to share. From Django Reinhardt gypsyology to bop and pop themes, these two share a beautiful empathy. Of the 13 tracks, you hear the steady stream of swing on "Stompin' at the Savoy," the bopping unison lines of Reinhardt's "Douce Ambiance," and a classic, delicate take on Wes Montgomery's "Road Song." Popping, percussive guitar taps buoy the samba "Estate." "La Ballade Irlandaise" is in a nice 3/4 tempo, while a more chordal approach electrifies the most impressive cut of the date "Les Amoureux Des Bancs Publics," with the two switching melodic, harmonic, and rhythmic roles back & forth. Their most introspective number "Syracuse" exudes deep shades of purple, and Lagrene's 6/8 original "Made in France" is ultimately quick & bright, while "Zurezat" is a simple love-strewn, delicate waltz. There's also a funky take of Cyndi Lauper's "Time After Time" and Stevie Wonder's "Isn't She Lovely," and the dynamic phase or time shifting rendition of Lennon & McCartney's "Blackbird." The closer is a guitar/electric bass guitar duo, a loping snippet of a melody on Michel Petrucciani's "Looking Up." There are no planets crashing or oceans roaring, but instead an airy, light, unhurried tranquility is extant through this consistent date, a worthy addition to the jazz guitar continuum.