Violent Femmes - Violent Femmes (Reissue, Remastered) (1982/2002)
Artist: Violent Femmes
Title: Violent Femmes
Year Of Release: 1982/2002
Label: Rhino Records
Genre: Alt Rock, Indie Rock, Folk Punk
Quality: Mp3 320 / Flac (tracks, .cue, log)
Total Time: 02:12:41
Total Size: 321/851 Mb
WebSite: Album Preview
Title: Violent Femmes
Year Of Release: 1982/2002
Label: Rhino Records
Genre: Alt Rock, Indie Rock, Folk Punk
Quality: Mp3 320 / Flac (tracks, .cue, log)
Total Time: 02:12:41
Total Size: 321/851 Mb
WebSite: Album Preview
Tracklist:
CD 1:
01. Blister in The Sun
02. Kiss Off
03. Please Do Not Go
04. Add It Up
05. Confessions
06. Prove My Love
07. Promise
08. To The Kill
09. Gone Daddy Gone
10. Good Feeling
11. Girl Trouble
12. Breakin' Up
13. Waiting for the Bus
14. Blister in The Sun
15. Kiss Off (Demo)
16. Please Do Not Go
17. Add It Up
18. Confessions
19. Prove My Love
20. Ugly
21. Gimme The Car
CD 2:
01. Special
02. Country Death Song
03. To The Kill
04. Never Tell
05. Break Song
06. Her Television
07. How Do You Say Goodbye
08. Theme and Variations
09. Prove My Love
10. Gone Daddy Gone
11. Promise
12. In Style
13. Add It Up
14. Michael Feldman Interview
15. Kiss Off
Line-up:
Bass, Bass [Acoustic], Xylophone, Flute, Backing Vocals – Brian Ritchie
Drums, Backing Vocals – Victor De Lorenzo
Guitar, Violin, Vocals – Gordon Gano
Violent Femmes were founded in 1980 by bassist/multi-instrumentalist Brian Ritchie and drummer Victor De Lorenzo. The name is a contradiction in terms, “Violent” being self-explanatory and “Femmes” being Milwaukee slang for wimp.
The rhythm section added high school singer/songwriter Gordon Gano in 1981. Gano and Ritchie had previously performed together at Gano’s National Honor Society induction ceremony, where they caused a near riot. Gano was expelled from the Society and suspended from high school for this outrage.
One of the only stable aspects of the band is their aversion to rehearsal. Due to this they would take the music to the streets in an attempt to hone it and earn some spare change. It was on one of these occasions that they were spotted by the Pretenders. Chrissie Hynde and the gang were so amused by the Violent Femmes antics that they invited the band to open the show for them. The hometown Milwaukee audience received the Femmes with unanimous booing. However by the end of the set the Femmes had converted approximately 50% of the audience to their cause. Many years later Brian Ritchie encountered Hynde when the Femmes and Pretenders shared the bill at a radio concert. She said, “Oh, you’re still around.”
The Femmes borrowed $10,000 from Victor De Lorenzo’s dad to record their legendary first album in 1982. Slash Records in Los Angeles was the only label to offer them a deal with the amazing advance of $0. The band accepted the deal and started on the predictable round of world tours, recording, more world tours, nervous breakdowns, band members quitting, solo albums, regrouping, more touring, divorces, more crackups, dropped from record deals, new deals, more touring, record company going bankrupt, lawsuits, etc. etc. etc. ad infinitum.
Fast forward to the present. Many things have changed. One thing that hasn’t is the sound of the band. Their loose, improvisational, acoustic sound is timeless.
The rhythm section added high school singer/songwriter Gordon Gano in 1981. Gano and Ritchie had previously performed together at Gano’s National Honor Society induction ceremony, where they caused a near riot. Gano was expelled from the Society and suspended from high school for this outrage.
One of the only stable aspects of the band is their aversion to rehearsal. Due to this they would take the music to the streets in an attempt to hone it and earn some spare change. It was on one of these occasions that they were spotted by the Pretenders. Chrissie Hynde and the gang were so amused by the Violent Femmes antics that they invited the band to open the show for them. The hometown Milwaukee audience received the Femmes with unanimous booing. However by the end of the set the Femmes had converted approximately 50% of the audience to their cause. Many years later Brian Ritchie encountered Hynde when the Femmes and Pretenders shared the bill at a radio concert. She said, “Oh, you’re still around.”
The Femmes borrowed $10,000 from Victor De Lorenzo’s dad to record their legendary first album in 1982. Slash Records in Los Angeles was the only label to offer them a deal with the amazing advance of $0. The band accepted the deal and started on the predictable round of world tours, recording, more world tours, nervous breakdowns, band members quitting, solo albums, regrouping, more touring, divorces, more crackups, dropped from record deals, new deals, more touring, record company going bankrupt, lawsuits, etc. etc. etc. ad infinitum.
Fast forward to the present. Many things have changed. One thing that hasn’t is the sound of the band. Their loose, improvisational, acoustic sound is timeless.