Alarm Will Sound - Tyshawn Sorey: Autoschediasms (Live) (2021) Hi-Res

Artist: Alarm Will Sound
Title: Tyshawn Sorey: Autoschediasms (Live)
Year Of Release: 2021
Label: Cantaloupe Music
Genre: Classical
Quality: FLAC 16/24 Bit (44,1 KHz / tracks+booklet)
Total Time: 52:24 min
Total Size: 228 / 490 MB
WebSite: Album Preview
Tracklist:Title: Tyshawn Sorey: Autoschediasms (Live)
Year Of Release: 2021
Label: Cantaloupe Music
Genre: Classical
Quality: FLAC 16/24 Bit (44,1 KHz / tracks+booklet)
Total Time: 52:24 min
Total Size: 228 / 490 MB
WebSite: Album Preview
1. No. 4, St. Louis (Live)
2. Video Chat Variations
As "arresting a figure in contemporary classical and experimental new music as he is in jazz (New York Times)," and a recipient of the MacArthur Fellowship in 2017, Tyshawn Sorey has carved out his own territory as a musician and composer whose range of vision, emotion and visceral power is a driving and defining force behind a young Black vanguard in new music.
This pristinely recorded collaboration with the vaunted chamber orchestra Alarm Will Sound documents two unique works — the stately, still For George Lewis (dedicated to the legendary avant garde trombonist and composer) and the thorny, dramatic Autoschediasms (inspired by the real-time improvisational "conductions" of Butch Morris, with a special nod to Anthony Braxton's "language music" system). Taken together, these performances, part of which were recorded in a video chat during the pandemic, find the composer testing the limits of the ensemble's imagination and concentration, and paint a wide-angle sonic canvas that is by turns taut, trenchant, and profoundly moving.
This pristinely recorded collaboration with the vaunted chamber orchestra Alarm Will Sound documents two unique works — the stately, still For George Lewis (dedicated to the legendary avant garde trombonist and composer) and the thorny, dramatic Autoschediasms (inspired by the real-time improvisational "conductions" of Butch Morris, with a special nod to Anthony Braxton's "language music" system). Taken together, these performances, part of which were recorded in a video chat during the pandemic, find the composer testing the limits of the ensemble's imagination and concentration, and paint a wide-angle sonic canvas that is by turns taut, trenchant, and profoundly moving.