Van Der Graaf Generator - H To He, Who Am The Only One (Deluxe) (2021)

  • 03 Sep, 18:20
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Artist:
Title: H To He, Who Am The Only One (Deluxe)
Year Of Release: 1970
Label: UMC (Universal Music Catalogue)
Genre: Prog Rock, Art Rock
Quality: Mp3 320 kbps / FLAC (tracks)
Total Time: 02:09:45
Total Size: 300 / 711 MB
WebSite:

Tracklist:

01. Killer (Remastered 2021) (8:18)
02. House With No Door (Remastered 2021) (6:32)
03. The Emperor In His War Room (Remastered 2021) (8:14)
04. Lost (Remastered 2021) (11:11)
05. Pioneers Over C (Remastered 2021) (12:41)
06. Killer (First Version) (8:18)
07. The Emperor In His War Room (First Version) (8:14)
08. Killer (Live BBC Radio One "Top Gear Session" / 1970) (7:32)
09. Lost (Live BBC Radio One "Top Gear Session" / 1970) (11:32)
10. Killer (New Stereo Mix 2021) (8:22)
11. House With No Door (New Stereo Mix 2021) (6:34)
12. The Emperor In His War Room (New Stereo Mix 2021) (8:14)
13. Lost (New Stereo Mix 2021) (11:24)
14. Pioneers Over C (New Stereo Mix 2021) (12:44)

AllMusic Review by Mike DeGagne
The foreboding crawl of the Hammond organ is what made Van Der Graaf Generator one of the darkest and most engrossing of all the early progressive bands. On H to He Who Am the Only One, the brooding tones of synthesizer and oscillator along with Peter Hammil's distinct and overly ominous voice make it one of this British band's best efforts. Kicking off with the prog classic "Killer," an eight minute synthesized feast of menacing tones and threatening lyrics, the album slowly becomes shadowed with Van Der Graaf's sinister instrumental moodiness. With superb percussion work via Guy Evans, who utilizes the tympani drum to its full extent, tracks like "The Emperor in His War-Room" and "Lost" are embraced with a blackened texture that never fades. The effective use of saxophone (both alto and tenor) and baritone from David Jackson gives the somberness some life without taking away any of the instrumental petulance. H to He is carpeted with a science fiction theme, bolstered by the bleak but extremely compelling use of heavy tones and the absence of rhythms and flighty pulsations. This album, which represents Van Der Graaf in their most illustrious stage, is a pristine example of how dark progressive rock should sound.


  • mufty77
  •  12:31
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Many thanks for lossless.
  • ingeborg
  •  00:17
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MANY THANKS

MANY THANKS