Maniac Squat - The Tale Upon the Sanctuary (2021)
Artist: Maniac Squat
Title: The Tale Upon the Sanctuary
Year Of Release: 2021
Label: Maniac Squat Records
Genre: Jazz, Fusion
Quality: FLAC (tracks)
Total Time: 34:44 min
Total Size: 292 MB
WebSite: Album Preview
Tracklist:Title: The Tale Upon the Sanctuary
Year Of Release: 2021
Label: Maniac Squat Records
Genre: Jazz, Fusion
Quality: FLAC (tracks)
Total Time: 34:44 min
Total Size: 292 MB
WebSite: Album Preview
1. Overbevisende Mareritt
2. The Cloud Upon the Sanctuary
Maniac Squat were the art punk band from Colchester who had a cult hit with ‘F**k Off’ in the mid-90s – a record which secured them the coveted single of the week slot in Kerrang! no less. Performing over two hundred gigs, including support slots for Babes in Toyland and Zodiac Mindwarp as well as tours of mainland Europe, Maniac Squat made their last record in 1996 and promptly split. Now they are back, with three members of the original line-up reconvening to record a stunning concept album of experimental art-rock. The Cloud Upon the Sanctuary, which also leans heavily towards jazz, has been inspired by the work of eighteenth-century Christian mystic, author and philosopher, Karl von Eckhartshausen.
For The Cloud Upon the Sanctuary the band have teamed up with an all-star ensemble of guest musicians headed up by legendary Bowie/Iggy Pop sideman, Kevin Armstrong, who also produced the album. Joining Kevin – and the original Maniac Squat alumni of Tom Wilcox, Scott Pearce and Michael Giaquinto – are Iggy Pop’s drummer, Mat Hector; PJ Harvey’s sax player, Terry Edwards; and rising star Manchester-based rapper, El Zeeko. The release is accompanied by an equally stunning seventeen-minute video by art director/film producer, Rob Russell, whose vibrant, other-worldly imagery deftly captures the intensity of emotions that the band delve into via their experimental soundscapes.
Original Maniac Squat frontman, Tom Wilcox, says: “Plato observed that ‘we can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light.’
“Our wilderness years were spent stumbling horny from one fix to the next. In the course of trying to repair our complex and multi-faceted personal relationships, Scott, Michael and I were profoundly affected by both the teachings of Karl von Eckartshausen and the key change rubrics of Gustav Mahler. These inspirations provoked us into composing separate elements of a larger piece of music. We gradually brought the disparate movements together to make one work. There is no coming to consciousness without pain.”
Producer and guest musician, Kevin Armstrong, adds: “I have had many twists and turns in my nearly 50-year career in music but the things I will carry with me to my deathbed are those moments of fearless invention that do not yield to any commercial constraint nor any fear of ridicule. The Cloud Upon the Sanctuary is one such moment. When I was presented with the opportunity to help realize the revival of Maniac Squat little did I imagine that our efforts would produce such a savage and desolate beauty.”
For The Cloud Upon the Sanctuary the band have teamed up with an all-star ensemble of guest musicians headed up by legendary Bowie/Iggy Pop sideman, Kevin Armstrong, who also produced the album. Joining Kevin – and the original Maniac Squat alumni of Tom Wilcox, Scott Pearce and Michael Giaquinto – are Iggy Pop’s drummer, Mat Hector; PJ Harvey’s sax player, Terry Edwards; and rising star Manchester-based rapper, El Zeeko. The release is accompanied by an equally stunning seventeen-minute video by art director/film producer, Rob Russell, whose vibrant, other-worldly imagery deftly captures the intensity of emotions that the band delve into via their experimental soundscapes.
Original Maniac Squat frontman, Tom Wilcox, says: “Plato observed that ‘we can easily forgive a child who is afraid of the dark; the real tragedy of life is when men are afraid of the light.’
“Our wilderness years were spent stumbling horny from one fix to the next. In the course of trying to repair our complex and multi-faceted personal relationships, Scott, Michael and I were profoundly affected by both the teachings of Karl von Eckartshausen and the key change rubrics of Gustav Mahler. These inspirations provoked us into composing separate elements of a larger piece of music. We gradually brought the disparate movements together to make one work. There is no coming to consciousness without pain.”
Producer and guest musician, Kevin Armstrong, adds: “I have had many twists and turns in my nearly 50-year career in music but the things I will carry with me to my deathbed are those moments of fearless invention that do not yield to any commercial constraint nor any fear of ridicule. The Cloud Upon the Sanctuary is one such moment. When I was presented with the opportunity to help realize the revival of Maniac Squat little did I imagine that our efforts would produce such a savage and desolate beauty.”