Louis Prima - The King Of Jumpin' Swing (Greatest Hits) (2012)
Artist: Louis Prima
Title: The King Of Jumpin' Swing (Greatest Hits)
Year Of Release: 2012
Label: Black Coffee Records
Genre: Swing, Vocal
Quality: Mp3 320 / Flac (tracks)
Total Time: 01:18:57
Total Size: 191/447 Mb
WebSite: Album Preview
Tracklist:Title: The King Of Jumpin' Swing (Greatest Hits)
Year Of Release: 2012
Label: Black Coffee Records
Genre: Swing, Vocal
Quality: Mp3 320 / Flac (tracks)
Total Time: 01:18:57
Total Size: 191/447 Mb
WebSite: Album Preview
01. Jump, Jive An' Wail (03:31)
02. Just A Gigolo / Ain't Got Nobody (04:44)
03. Buona Sera (03:08)
04. Oh Marie (02:28)
05. Route 66 (02:08)
06. That Old Black Magic (02:56)
07. When The Saints Go Marching In (04:18)
08. 5 Months, 2 Weeks, 2 Days (02:10)
09. The Lip (02:18)
10. Banana Split For My Baby (02:31)
11. Pennies From Heaven (02:21)
12. When You're Smiling/The Sheik Of Araby (03:59)
13. Come Back to Sorrento (03:03)
14. I've Got You Under My Skin (02:38)
15. Night Train (Instrumental) (02:47)
16. The Pump Song (01:49)
17. I've Got The World On A String (02:27)
18. Baby, Won't You Please Come Home (02:06)
19. Hey Boy! Hey Girl! (02:42)
20. You Rascal You (03:15)
21. Fever (03:04)
22. Twilight Time (Instrumental) (02:10)
23. Teach Me Tonight (02:12)
24. Felicia No Capicia (02:59)
25. Embraceable You / I Got It Bad And That Ain't Good (02:58)
26. Angelina / Zooma Zooma (04:17)
27. O Sole Mio (Love Of My Life) (03:45)
Line-up:
Bass – Amado Rodriguez, Roland J. DiLorio, Tony Liuzza
Drums – Bobby Morris, Harvey Lang, Paul Ferrara
Guitar – Allan Seltzer, Bobby Roberts, Jack Marshall
Piano – John Nagy, Willie McCumber Jr.
Tenor Saxophone – Sam Butera And The Witnesses
Trombone – James Blount
Vocals – Keely Smith
Louis Leo Prima (December 7, 1910 – August 24, 1978)[1] was an American singer, songwriter, bandleader, and trumpeter. While rooted in New Orleans jazz, swing music, and jump blues, Prima touched on various genres throughout his career: he formed a seven-piece New Orleans-style jazz band in the late 1920s, fronted a swing combo in the 1930s and a big band group in the 1940s, helped to popularize jump blues in the late 1940s and early to mid 1950s, and performed frequently as a Vegas lounge act beginning in the 1950s.
From the 1940s through the 1960s, his music further encompassed early R&B and rock 'n' roll, boogie-woogie, and Italian folk music, such as the tarantella. Prima made prominent use of Italian music and language in his songs, blending elements of his Italian and Sicilian identity with jazz and swing music. At a time when ethnic musicians were often discouraged from openly stressing their ethnicity, Prima's conspicuous embrace of his Sicilian ethnicity opened the doors for other Italian-American and ethnic American musicians to display their ethnic roots.
From the 1940s through the 1960s, his music further encompassed early R&B and rock 'n' roll, boogie-woogie, and Italian folk music, such as the tarantella. Prima made prominent use of Italian music and language in his songs, blending elements of his Italian and Sicilian identity with jazz and swing music. At a time when ethnic musicians were often discouraged from openly stressing their ethnicity, Prima's conspicuous embrace of his Sicilian ethnicity opened the doors for other Italian-American and ethnic American musicians to display their ethnic roots.
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