Leopold Stokowski - Leopold Stokowski Conducts Wagner (1961) [2016] Hi-Res

Leopold Stokowski was one of the greatest conductors of all time. Born in London on April 18,
1882, he started his musical career as an organist. In 1903, he took the post of principal organist
at St. James’ Church in London, situated in a small side o the famous Piccadilly. Although only 21
years old, he became soon well-known and after two years received an oer from St.
Bartholomew’s Church in New York, which he accepted enthusiastically. The congregation loved
him, particularly for his uncommon musical repertoire.
In 1909, the famous pianist Olga Samaro made it possible for him to conduct a concert with the
Cincinnati Symphony Orchestra on May 12, in which she was the soloist. The concert was a great
success and Stokowski was instantly engaged for the next season. Despite triumphal successes,
however, he left Cincinnati in 1911, due to internal quarrels. Back in Europe, he married Olga.
In 1912, he returned to the United States, this time to the Philadelphia Orchestra, where he
conducted his rst concert on October 11. The Philadelphia Orchestra was then rather a
middle-class orchestra but Stokowski improved its sound within short time. The result became
later known as the Philadelphia Sound and was achieved with some unusual innovations. First, he
allowed the strings free bowing, which means the string players were free to move their bows up
and down as they pleased, rather than in unison. This produces a very warm, silky and vivid
sound, as it had never been heard before. Stokowski also made several changes to the orchestra’s
seating arrangement to improve the transparency and clarity of the sound.
But it was not only this what made him popular. He sometimes produced his concerts like a
stage-play by placing light spots on him or his always baton-less conducting hands, by speeches
to the audience and even once by hiding the orchestra behind a curtain.
Stokowski always made a mystery of himself. Asked about his age, he would give 1887 as his year
of birth instead of 1882 . Throughout his whole life he spoke with a strange pseudo-eastEuropean accent of which nobody ever had an idea where he, as a born Lodoner, could have it
from.
In 1940, Stokowski made the famous lm Fantasia together with Walt Disney, in which cartoon
gures move in ballet-like sequences to classical music. The music for the lm was recorded in
eight-channel stereophony and surprised its spectators for both its visual and acoustical
achievements. Stokowski also appeared in some other, rather slushy lms, which are listed here.
His private life also brought him into the newspapers. He was married several times - once to the
million heiress Gloria Vanderbilt - and had a well-publicized aair with Greta Garbo.
Musically, he provoked a still-lasting controversy over his bombastic symphonic transcriptions of Bach
works, which are considered sacrilege by baroque purists. He also had no inhibitions about making changes
to the scores of other great masters, such as Beethoven or Tchaikovsky, if this served the work in any way. He
also made his own orchestral arrangements of other works, such as Mussorgski’s Pictures at an Exhibition
and A Night on the Bare Mountain or Debussy’s La cathédrale engloutie.
Stokowski left Philadelphia in 1941, turning to various musical projects. He had many engagements as guest
conductor all over the world and founded several orchestras, such as The All-American Youth Orchestra, The
American Symphony Orchestra, The Symphony of the Air and "His" Symphony Orchestra (for recording
sessions with Capitol Records).
With a legendary concert on June 14, 1972, Stokowski celebrated the sixtieth anniversary of his rst
appearance with the London Symphony Orchestra.
Stokowski was always very interested in improving the sound quality of recording media. Therefore, it is a
great luck for the record lover that he became so old. He made still excellent (perhaps even his best) stereo
recordings in his higher age.
The dierence between his recordings and those of
other conductors is simply that he is a magician.
When you hear Stokowski, suddenly the music
begins to develop its own life. The sound is usually
richer than everywhere else and so intense that you
can’t believe it is produced by a hundred people
and not by only one. It is said that Stokowski kept
on playing the organ his whole life: through the
orchestra.
At 94, he was optimistic enough to sign a ve years
contract with Columbia Records. Unfortunately, this
could not avert his destiny. He died on September
13, 1977, at the age of 95 in his house in Nether
Wallop, Hampshire, England. It was the day on
which he was to record Rachmaninov’s Second
Symphony, a wonderful work he never recorded
commercially. Stokowski was buried at Marylebone
Cemetery, East Finchley, in north London. Should
you wish to visit his grave, you will nd it at
position D 10 147.


Tracks:

1. Tannhauser OVERTURE and VENUSBERG MUSIC
2. Tristan and Isolde PRELUDE TO ACT III
3. Das Rheingold ENTRANCE OF THE GODS INTO VALHALL

Personnel:

Leopold Stokowski
The Symphony of the Air & Chorus