Russian National Orchestra, Metropolitan Hilarion Alfeyev - Ich ruf' zu dir, Herr Jesu Christ (2017) [Hi-Res]

Tracklist

01. Ich ruf' zu dir, Herr Jesu Christ, BWV 639 (Arr. H. Alfeyev for Orchestra)
02. Ich habe genug, BWV 82: I. Ich habe genug
03. Ich habe genug, BWV 82: II. Ich habe genug! Mein Trost ist nur allein
04. Ich habe genug, BWV 82: III. Schlummert ein, ihr matten Augen
05. Ich habe genug, BWV 82: IV. Mein Gott! Wann kommt das schöne
06. Ich habe genug, BWV 82: V. Ich freue mich auf meinen Tod
07. Orchestral Suite No. 2 in B Minor, BWV 1067: I. Ouverture
08. Orchestral Suite No. 2 in B Minor, BWV 1067: II. Rondeau
09. Orchestral Suite No. 2 in B Minor, BWV 1067: III. Sarabande
10. Orchestral Suite No. 2 in B Minor, BWV 1067: IV. Bourrées I & II
11. Orchestral Suite No. 2 in B Minor, BWV 1067: V. Polonaise & Double
12. Orchestral Suite No. 2 in B Minor, BWV 1067: VI. Menuet
13. Orchestral Suite No. 2 in B Minor, BWV 1067: VII. Badinerie
14. Passacaglia & Fugue in C Minor, BWV 582 (Arr. H. Alfeyev for Orchestra)

Russia’s foremost composer Metropolitan Hilarion Alfeyev’s compositions are noted for their deep spirituality and commitment. With this new release, he brings the same sense of awe and wonder to the music of Bach in a series of riveting performances, including the achingly beautiful solo cantata Ich habe genug and the ever-popular Orchestral Suite No. 2. The programme also contains Alfeyev’s breathtaking arrangements of Bach’s organ masterpieces Ich ruf’ zu Dir, Herr Jesu Christ and the colossal Passacaglia and Fugue in C minor. Bach’s deceptively simple choral prelude, the plaintive Ich ruf’ zu Dir, Herr Jesu Christ, BWV 639 is a masterpiece of humility and restraint and Alfeyev’s masterly arrangement underscores the universality of the prayer. Bach’s most famous solo cantata, the haunting Ich habe genug, BWV 82, radiates with its gentle swaying rhythms and exquisite writing for solo oboe; its central aria, Schlummert ein, ihr matten Augen, is an oasis of calm and transcendence with its warmly uplifting bass solo. Bach revels in his mastery of the French style in his Orchestral Suite No. 2 in B minor, BWV 1067, an irresistible collection of dances – both aristocratic and popular – which closes with a mischievous Badinerie. Resplendent with orchestral colour and powerful, fullthroated brass, Alfeyev’s arrangement for full orchestra of the mighty Passacaglia and Fugue in C minor BWV 582 for organ is an enthralling conclusion.

“Bach’s music is not a museum piece. Living in modern times, we have full rights to use the full scale of modern means of expression in order to translate to the listener the outstanding grandeur and timeless beauty of his music.” (Metropolitan Hilarion Alfeyev).

DOWNLOAD ALBUM [flac]

DOWNLOAD ALBUM [Hi-Res]