Tasha - Tell Me What You Miss The Most (2021) [Hi-Res]
Artist: Tasha
Title: Tell Me What You Miss The Most
Year Of Release: 2021
Label: Father/Daughter Records
Genre: Folk, Indie Folk, Singer-Songwriter
Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-44.1kHz FLAC (tracks)
Total Time: 32:31
Total Size: 77.4 / 175 / 344 MB
WebSite: Album Preview
Tracklist:Title: Tell Me What You Miss The Most
Year Of Release: 2021
Label: Father/Daughter Records
Genre: Folk, Indie Folk, Singer-Songwriter
Quality: Mp3 320 kbps / FLAC (tracks) / 24bit-44.1kHz FLAC (tracks)
Total Time: 32:31
Total Size: 77.4 / 175 / 344 MB
WebSite: Album Preview
1. Bed Song 1 (03:59)
2. History (03:42)
3. Perfect Wife (03:38)
4. Sorry’s Not Enough (04:51)
5. Love Interlude (01:37)
6. Dream Still (03:05)
7. Burton Island (02:19)
8. Lake Superior (04:09)
9. Year From Now (02:10)
10. Bed Song 2 (03:01)
For fans of Julia Jacklin, Molly Burch, Orion Sun, Lucy Dacus.
Tasha’s second album, Tell Me What You Miss The Most mingles pockets of introspection with wide, expansive, marveling at what’s yet to come. Born and raised in Chicago, Tasha is a musician who writes songs that take loving and longing seriously. Whether dwelling in the sad thrum of an impending break up or the dizzying, heart thumping waltz of new infatuation, here is an album that traces one artist’s relationship to herself in love.
Full of deep, invigorating inhales and relieved, joyful exhales, Tell Me What You Miss The Most is an exquisitely crafted breath of much needed air. Tell Me What You Miss The Most isn’t just a catalogue of tenderness it’s also a showcase of Tasha’s growing and formidable musician-ship. “When I made Alone at Last, I had only been writing songs for two years. I hardly even knew what kind of songwriter I was. But this record feels much stronger as far as a representation of my songwriter and musicianship,” says Tasha, adding “I did feel like I was piloting it in a way that I haven’t really felt before.” “I was inspired by a distance I felt from myself,” says Tasha of the album, “the writing was kind of born from this desire to get back to an intimacy, or honesty, with myself.”
Other inspirations include kissing, long drives in nature, her mother, and “winter and all that it allows (being alone inside, wrapped up in something warm, feeling things deeply.)” Her list of inspirations is a collection of types of touch; fleeting affectionate touch, the brush of a knit blanket, the bracing grip of feeling one’s own skin twinned in a palm. So too does the album veer in and out of touch with Tasha herself, tracing tenderness and loneliness, the paradox of feeling held and utterly abandoned at once.
“Tasha makes wondrous, gentle soul that advocates for self-care.” Pitchfork
Tasha’s second album, Tell Me What You Miss The Most mingles pockets of introspection with wide, expansive, marveling at what’s yet to come. Born and raised in Chicago, Tasha is a musician who writes songs that take loving and longing seriously. Whether dwelling in the sad thrum of an impending break up or the dizzying, heart thumping waltz of new infatuation, here is an album that traces one artist’s relationship to herself in love.
Full of deep, invigorating inhales and relieved, joyful exhales, Tell Me What You Miss The Most is an exquisitely crafted breath of much needed air. Tell Me What You Miss The Most isn’t just a catalogue of tenderness it’s also a showcase of Tasha’s growing and formidable musician-ship. “When I made Alone at Last, I had only been writing songs for two years. I hardly even knew what kind of songwriter I was. But this record feels much stronger as far as a representation of my songwriter and musicianship,” says Tasha, adding “I did feel like I was piloting it in a way that I haven’t really felt before.” “I was inspired by a distance I felt from myself,” says Tasha of the album, “the writing was kind of born from this desire to get back to an intimacy, or honesty, with myself.”
Other inspirations include kissing, long drives in nature, her mother, and “winter and all that it allows (being alone inside, wrapped up in something warm, feeling things deeply.)” Her list of inspirations is a collection of types of touch; fleeting affectionate touch, the brush of a knit blanket, the bracing grip of feeling one’s own skin twinned in a palm. So too does the album veer in and out of touch with Tasha herself, tracing tenderness and loneliness, the paradox of feeling held and utterly abandoned at once.
“Tasha makes wondrous, gentle soul that advocates for self-care.” Pitchfork