Albert King - The Very Best Of Albert King (2007)

  • 05 Nov, 09:38
  • change text size:

Artist:
Title: The Very Best Of Albert King
Year Of Release: 2007
Label: Stax
Genre: Blues
Quality: flac lossless (tracks)
Total Time: 01:06:30
Total Size: 384 mb
WebSite:

Tracklist

01. Laundromat Blues (Album Version)
02. Oh, Pretty Woman (Album Version)
03. Crosscut Saw (Album Version)
04. Born Under A Bad Sign (Album Version)
05. Cold Feet
06. (I Love) Lucy (Album Version)
07. Blues Power (Single Version)
08. Drowning On Dry Land (Single Version)
09. Tupelo (Pt. 1) (Single Version)
10. Water (Single Version)
11. Wrapped Up In Love Again (Single Version)
12. Can't You See What You're Doing To Me (Single Version)
13. Everybody Wants To Go To Heaven (Single Version)
14. Angel of Mercy (Single Version)
15. I'll Play The Blues For You (Pt. 1 / Single Version)
16. Breaking Up Somebody's Home (Single Version)
17. Playing On Me (Single Version)
18. That's What The Blues Is All About (Single Version)
19. Flat Tire (Single Version)
20. Crosscut Saw [1974 version] (Single Version)

A left-handed, self-taught guitar player who played his instrument upside down and backwards, Albert King could wring out guitar leads that were as sharp as razor blades zinging along a telephone line, but he was also a well-rounded musician, having played drums in Chicago for Jimmy Reed and was a good enough singer to have been part of a gospel quartet called the Harmony Kings. But his claim to fame and history will always be his guitar playing, and in particular, the sides he cut between 1966 and 1974 for Stax Records, the best of which are collected here. Stax was known for its funky Southern soul sides, and the blues wasn't really on the table for the imprint when King cut "Laundromat Blues" for them in 1966. The song did well enough that King became Stax's blues division almost single-handedly, releasing classics like "Crosscut Saw" in 1966 and King's signature tune, "Born Under a Bad Sign," written by William Bell and Booker T. Jones, in 1967. All of these are here, along with a slower and funkier remake of "Crosscut Saw" that King cut for Stax in 1974, making this compilation not only a fine introduction to this fiery guitar player, but also a solid survey of his peak years.