David Bowie - David Bowie (Deluxe Japanese Edition) (2010)
Artist: David Bowie
Title: David Bowie
Year Of Release: 1967 / 2010
Label: Deram – UICY 94402/3 / Stereo, Mono, Deluxe Edition, SHM-CD
Genre: Rock, Classic Rock, Pop Rock
Quality: 320 / FLAC (tracks+.cue,log artwork)
Total Time: 2:35:05
Total Size: 390 / 810 Mb
WebSite: Album Preview
Tracklist: Title: David Bowie
Year Of Release: 1967 / 2010
Label: Deram – UICY 94402/3 / Stereo, Mono, Deluxe Edition, SHM-CD
Genre: Rock, Classic Rock, Pop Rock
Quality: 320 / FLAC (tracks+.cue,log artwork)
Total Time: 2:35:05
Total Size: 390 / 810 Mb
WebSite: Album Preview
CD 1
The Original Stereo Album Mix
01. Uncle Arthur (2:13)
02. Sell Me A Coat (3:03)
03. Rubber Band (2:20)
04. Love You Till Tuesday (3:14)
05. There Is A Happy Land (3:16)
06. We Are Hungry Men (3:01)
07. When I Live My Dream (3:27)
08. Little Bombardier (3:28)
09. Silly Boy Blue (3:54)
10. Come And Buy My Toys (2:11)
11. Join The Gang (2:21)
12. She's Got Medals (2:26)
13. Maid Of Bond Street (1:46)
14. Please Mr. Gravedigger (2:47)
The Original Mono Album Mix
15. Uncle Arthur(Mono) (2:10)
16. Sell Me A Coat(Mono) (3:01)
17. Rubber Band(Mono) (2:20)
18. Love You Till Tuesday(Mono) (3:13)
19. There Is A Happy Land(Mono) (3:17)
20. We Are Hungry Men(Mono) (3:01)
21. When I Live My Dream(Mono) (3:26)
22. Little Bombardier(Mono) (3:27)
23. Silly Boy Blue(Mono) (3:55)
24. Come And Buy My Toys(Mono) (2:11)
25. Join The Gang(Mono) (2:20)
26. She's Got Medals(Mono) (2:27)
27. Maid Of Bond Street(Mono) (1:46)
28. Please Mr. Gravedigger(Mono) (2:38)
CD 2 bonus disc Deluxe Edition
01. Rubber Band (Single Version) (2:04)
02. The London Boys (3:22)
03. The Laughing Gnome (2:59)
04. The Gospel According To Tony Day (2:49)
05. Love You Till Tuesday (Single Version) (3:01)
06. Did You Ever Have A Dream (2:08)
07. When I Live My Dream (Single Version) (3:52)
08. Let Me Sleep Beside You (3:27)
09. Karma Man (3:06)
10. London Bye Ta-Ta (Previously Unreleased) (2:38)
11. In The Heat Of The Morning (Previously Unreleased Mono Vocal Version) (2:48)
12. The Laughing Gnome (Previously Unreleased Stereo Mix) (3:00)
13. The Gospel According To Tony Day (Previously Unreleased Stereo Mix) (2:52)
14. Did You Ever Have A Dream (Previously Unreleased Stereo Mix) (2:09)
15. Let Me Sleep Beside You (Previously Unreleased Stereo Mix) (3:22)
16. Karma Man (Previously Unreleased Stereo Mix) (3:06)
17. In The Heat Of The Morning (3:00)
18. When I'm Five (3:08)
19. Ching-A-Ling (Previously Unreleased Stereo Mix) (2:52)
20. Sell Me A Coat (Remix) (2:58)
21. Love You Till Tuesday (Recorded For BBC Radio One's Top Gear) (3:00)
22. When I Live My Dream (Recorded For BBC Radio One's Top Gear) (3:35)
23. Little Bombadier (Recorded For BBC Radio One's Top Gear) (3:28)
24. Silly Boy Blue (Recorded For BBC Radio One's Top Gear) (3:25)
25. In The Heat Of The Morning (Recorded For BBC Radio One's Top Gear) (4:18)
David Bowie is the self-titled debut album by British musician David Bowie, released in 1967 via Deram Records. Its content has little to do with the type of music that later made Bowie famous, such as folk rock from Space Oddity or glam rock from The Rise and Fall of Ziggy Stardust and the Spiders from Mars. New Musical Express editors Roy Carr and Charles Shaar Murray said: “Listeners accustomed to Bowie's image in the seventies will probably find this debut album shocking or just plain weird.” guises would probably find this debut album either shocking or else simply quaint "), and musical biographer David Buckley described it as" a record equal to the mad woman in the attic".
David Bowie's first ever LP -- the 1967 set that introduced the world to the likes of "Rubber Band" and "There Is a Happy Land" -- is an intriguing collection, as much in its own right as for the light it sheds on Bowie's future career. Nobody hearing "She's Got Medals," for instance, can fail to marvel at the sheer prescience displayed by a song about gender-bending. Even within Bowie's subsequent world of alligators, starmen, and astronettes, however, there are no parallels for the likes of "Please Mr. Gravedigger," with its storm-swept lament for a murdered little girl, or "Uncle Arthur," the archetypal mommy's boy, whose one stab at snapping the apron strings shatters when he realizes his new love cannot cook. There's also a frightening glimpse into future Bowie universes, served up by "We Are Hungry Men," a tale of a world in which food is so scarce that the people have resorted to cannibalism. Not all of the songs are such sharp observations of human frailties and failings, while the distinctly family-entertainment style arrangements make it clear that, whatever audience Bowie was aiming for, rock fans were not included among them. But songs like "Love You Till Tuesday" and "Maid of Bond Street" have a catchy irresistibility to them all the same, and though this material has been repackaged with such mind-numbing frequency as to seem all but irrelevant today, David Bowie still remains a remarkable piece of work. And it sounds less like anything else he's ever done than any subsequent record in his catalog.
David Bowie's first ever LP -- the 1967 set that introduced the world to the likes of "Rubber Band" and "There Is a Happy Land" -- is an intriguing collection, as much in its own right as for the light it sheds on Bowie's future career. Nobody hearing "She's Got Medals," for instance, can fail to marvel at the sheer prescience displayed by a song about gender-bending. Even within Bowie's subsequent world of alligators, starmen, and astronettes, however, there are no parallels for the likes of "Please Mr. Gravedigger," with its storm-swept lament for a murdered little girl, or "Uncle Arthur," the archetypal mommy's boy, whose one stab at snapping the apron strings shatters when he realizes his new love cannot cook. There's also a frightening glimpse into future Bowie universes, served up by "We Are Hungry Men," a tale of a world in which food is so scarce that the people have resorted to cannibalism. Not all of the songs are such sharp observations of human frailties and failings, while the distinctly family-entertainment style arrangements make it clear that, whatever audience Bowie was aiming for, rock fans were not included among them. But songs like "Love You Till Tuesday" and "Maid of Bond Street" have a catchy irresistibility to them all the same, and though this material has been repackaged with such mind-numbing frequency as to seem all but irrelevant today, David Bowie still remains a remarkable piece of work. And it sounds less like anything else he's ever done than any subsequent record in his catalog.
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