Man Overboard Quintet - All Hands on Deck (2013)
Artist: Man Overboard Quintet
Title: All Hands on Deck
Year Of Release: 2013
Label: Champs Hill Records
Genre: Classical, Jazz
Quality: FLAC (tracks+booklet)
Total Time: 82:01 min
Total Size: 451 MB
WebSite: Album Preview
Title: All Hands on Deck
Year Of Release: 2013
Label: Champs Hill Records
Genre: Classical, Jazz
Quality: FLAC (tracks+booklet)
Total Time: 82:01 min
Total Size: 451 MB
WebSite: Album Preview
Tracklist:
1. Honeysuckle Rose
3. It Ain't Right
4. On the Sunny Side of the Street
5. I Found a New Baby
6. All of Me
7. Avalon
8. Lullaby of the Leaves
9. Me Myself and I
10. St James' Infirmary
11. Hummin' to Myself
12. Jubilee
13. Topsy
14. I'll See you in my Dreams
15. The Old Man of the Mountain
16. How High the Moon
17. You're a Heavenly Thing
18. Premier Bal
19. Tu Djaial
2. That Old Feeling
20. Palm Springs Jump
21. Puttin' on the Ritz
Man Overboard’s debut album is a collection of old jazz tunes including numbers by Fats Waller, Al Jolson and Hoagy Carmichael - all played in Man Overboard’s infectious, melodic style. Expect to be delighted by “on the sunny side of the street’, ‘All of Me’ and ‘How High the Moon’ to name but a few favourite tunes.
Thomas Gould is a classical violinist described as “staggeringly virtuosic” by The Guardian. He also is a dab hand at jazz, and his playing meets its match in the lyrical clarinet playing of Ewan Bleach, who has been making his mark on the music scenes of London and New Orleans.
Thomas and Ewan work the tunes beautifully together, sometimes harmonising, sometimes challenging each other. At other times, they simply provide the setting for Louisa Jones’ distinctively husky but sweet and atmospheric voice.
Underpinning the sound are Dave O’Brien — one of the brightest young musicians on the London swing scene — on the double bass and Jean-Marie Fagon, a good old-fashioned, no-nonsense rhythm guitarist from France.
Thomas Gould is a classical violinist described as “staggeringly virtuosic” by The Guardian. He also is a dab hand at jazz, and his playing meets its match in the lyrical clarinet playing of Ewan Bleach, who has been making his mark on the music scenes of London and New Orleans.
Thomas and Ewan work the tunes beautifully together, sometimes harmonising, sometimes challenging each other. At other times, they simply provide the setting for Louisa Jones’ distinctively husky but sweet and atmospheric voice.
Underpinning the sound are Dave O’Brien — one of the brightest young musicians on the London swing scene — on the double bass and Jean-Marie Fagon, a good old-fashioned, no-nonsense rhythm guitarist from France.