Lorez Alexandria - Lorez Alexandria on King 1957-1959 - Plus Her 1954-1956 Blue Lake & Chess Recordings (2019)
Artist: Lorez Alexandria
Title: Lorez Alexandria on King 1957-1959 - Plus Her 1954-1956 Blue Lake & Chess Recordings
Year Of Release: 2019
Label: Fresh Sound Records
Genre: Jazz, Vocal Jazz
Quality: Mp3 320 kbps / FLAC (tracks)
Total Time: 139:04 min
Total Size: 350 / 764 MB
WebSite: Album Preview
Tracklist:Title: Lorez Alexandria on King 1957-1959 - Plus Her 1954-1956 Blue Lake & Chess Recordings
Year Of Release: 2019
Label: Fresh Sound Records
Genre: Jazz, Vocal Jazz
Quality: Mp3 320 kbps / FLAC (tracks)
Total Time: 139:04 min
Total Size: 350 / 764 MB
WebSite: Album Preview
CD 1:
01. Introduction – I Thought About You (Van Heusen-Mercer) 2:46
02. I’m Glad There Is You (Dorsey-Mertz) 2:42
03. Thou Swell (Rodgers-Hart) 2:27
04. Snow Storm (King Fleming) 2:49
05. Penthouse Serenade (Burton-Jason) 2:14
06. And There You Are (Fischer-Carey) 2:44
07. The Sky Is Crying (Carter-Herrick) 3:15
08. You Make Me Feel So Young (Myrow-Gordon) 2:10
09. I’m Making Believe (Monaco-Gordon) 3:00
10. Baltimore Oriole (Carmichael-Webster) 2:56
11. You Stepped Out of a Dream (Brown-Kahn) 2:38
12. Necessity (Burton-Lane-Harburg) 2:26
13. Introduction – Fine and Dandy (Swift-James) 2:55
14. Fooling Myself (Lawrence-Tinturin) 3:29
15. D.B. Blues (Lester Young) 2:57
16. You Are Driving Me Crazy (Walter Donaldson) 1:56
17. Easy Living (Rainger-Robin) 3:19
18. Polka Dots and Moonbeams (Van Heusen-Burke) 2:58
19. This Year’s Kisses (Irving Berlin) 2:28
20. There Will Never Be Another You (Warren-Gordon) 2:29
21. No Eyes Blues (Lester Young) 3:43
22. Jumpin’ with Symphony Sid (Young-Beeks) 4:52
23. Williams’ Blues (Russell Williams) 3:04
24. One O’Clock Jump (Count Basie) 2:54
25. Please Come Back (King Fleming) 2:50
26. Stompin’ at the Savoy (Sampson-Goodman-Webb) 2:34
CD 2:
01. You Are My Thrill (Gorney-Clare) 2:02
02. Don’t Blame Me (McHugh-Fields) 2:34
03. Ain’t Misbehavin’ (Waller-Brooks-Razaf) 2:52
04. What Is This Thing Called Love (Cole Porter) 3:02
05. Dancing on the Ceiling (Rodgers-Hart) 3:04
06. Love Is Just Around the Corner (Gensler-Robin) 2:24
07. I’m Gonna Sit Right Down and Write Myself a Letter (Ahlert-Young) 2:07
08. Just You, Just Me (Greer-Klages) 2:18
09. All the Things You Are (Kern-Hammerstein II) 1:48
10. The Thrill Is Gone (Henderson-Brown) 2:17
11. My Baby Just Cares for Me (Donaldson-Kahn) 2:32
12. Just One of Those Things (Cole Porter) 2:47
13. Then I’ll Be Tired of You (Schwartz-Harburg) 2:48
14. Lush Life (Billy Strayhorn) 2:05
15. Sometimes I’m Happy (Youmans-Caesar-Grey) 2:29
16. Long Ago and Far Away (Kern-Gershwin) 2:58
17. But Beautiful (Van Heusen-Burke) 2:14
18. I’m Beginning to See the Light (Ellington-George-Hodges-James) 4:19
19. I Can’t Believe that You’re In Love with Me (McHugh-Gaskill) 3:02
20. Spring Is Here (Rodgers-Hart) 3:35
21. Angel Eyes (Dennis-Brent) 4:19
22. Better Luck Next Time (Irving Berlin) 3:01
23. I Didn’t Know What Time It Was (Rodgers-Hart) 3:36
In 1953, Lorez Alexandria (1929-2001) was already a young veteran of church singing in Chicago. But when she decided to start her professional career, it was as a jazz and R&B singer with the King Fleming Four, an instrumental quartet that would become one of the favorite groups of the Midwest soon after Lorez joined them.
By the end of 1956, in addition to her work with Fleming’s quartet, she began a career as a single, billed as “Angel Voice.” This was an important step for her, as in 1957 it led to the start of her recording career on the King label. For her first album—”This Is Lorez”—she sang with a musical line-up that brought in a different sort of sophistication to the record, shading tunes with moody colors on flute and oboe that perfectly support the singer’s soulful sensitivity and expressive way with the lyrics.
The critics received her with open arms, which in turn led the label to produce, that same year, a second album—”Lorez Sings Prez,” featuring only songs which Lester Young had recorded. She managed to find the essence in each song, its soul, and where there were no lyrics, Lorez scatted, with perfect understanding of what Lester had to say.
In 1959, she recorded two more albums for King, but the label, instead of hiring an arranger and musicians for the sessions, used pre-recorded instrumental backgrounds for Lorez to overdub her voice. She did a wonderful job interacting with them, in some of the finest work by this much forgotten jazz legend. It is no wonder that throughout her career, some eminent jazz critics compared her with Dinah Washington, Sarah Vaughan or Carmen McRae.
By the end of 1956, in addition to her work with Fleming’s quartet, she began a career as a single, billed as “Angel Voice.” This was an important step for her, as in 1957 it led to the start of her recording career on the King label. For her first album—”This Is Lorez”—she sang with a musical line-up that brought in a different sort of sophistication to the record, shading tunes with moody colors on flute and oboe that perfectly support the singer’s soulful sensitivity and expressive way with the lyrics.
The critics received her with open arms, which in turn led the label to produce, that same year, a second album—”Lorez Sings Prez,” featuring only songs which Lester Young had recorded. She managed to find the essence in each song, its soul, and where there were no lyrics, Lorez scatted, with perfect understanding of what Lester had to say.
In 1959, she recorded two more albums for King, but the label, instead of hiring an arranger and musicians for the sessions, used pre-recorded instrumental backgrounds for Lorez to overdub her voice. She did a wonderful job interacting with them, in some of the finest work by this much forgotten jazz legend. It is no wonder that throughout her career, some eminent jazz critics compared her with Dinah Washington, Sarah Vaughan or Carmen McRae.
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