Frankie Newton - The Connoisseur's Frankie Newton (Remastered 2021) (2022)

  • 07 Jan, 07:02
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Artist:
Title: The Connoisseur's - Frankie Newton (his 25 Finest 1937 - 1939) (Remastered 2021)
Year Of Release: 2022
Label: Retrospective
Genre: Jazz
Quality: FLAC (tracks)
Total Time: 1:19:57
Total Size: 238 MB
WebSite:

Tracklist:

01. Please Don't Talk About Me When I'm Gone (Remastered 2021)
02. You Showed Me the Way (Remastered 2021)
03. Who's Sorry Now? (Remastered 2021)
04. I've Found a New Baby (Remastered 2021)
05. There's No Two Ways About It (Remastered 2021)
06. The Brittwood Stomp (Remastered 2021)
07. 'Cause My Baby Says It's So (Remastered 2021)
08. Easy Living (Remastered 2021)
09. Rosetta (Remastered 2021)
10. Minor Jive (Remastered 2021)
11. The World Is Waiting for the Sunrise (Remastered 2021)
12. Who? (Remastered 2021)
13. The Blues My Baby Gave to Me (Remastered 2021)
14. Rompin' (Remastered 2021)
15. Daybreak Blues (Remastered 2021)
16. Rockin' the Blues (Remastered 2021)
17. Port of Harlem Blues (Remastered 2021)
18. The Jitters (Remastered 2021)
19. Tab's Blues (Remastered 2021)
20. Frankie's Jump (Remastered 2021)
21. After Hour Blues (Remastered 2021)
22. Jam Fever (Remastered 2021)
23. Blues for Tommy Ladnier (Remastered 2021)
24. Vamp (Remastered 2021)
25. Pounding Heart Blues (Remastered 2021)

Trumpeter Frankie Newton, whose mellow and thoughtful style sometimes seemed somewhat out of place in the swing era, had a relatively brief but artistically rewarding career. He had stints with Lloyd Scott (1927-1929), Cecil Scott (1929-1930), Chick Webb, Elmer Snowden, Charlie Johnson, and Sam Wooding, and appeared on Bessie Smith's final recording session in 1933. Newton worked with Charlie Barnet's short-lived integrated band in 1936 and with Teddy Hill, before briefly becoming closely associated with bassist John Kirby and his associates. The eventual John Kirby Sextet would have been the logical place for the trumpeter, but a falling out in 1937 ended up with the younger Charlie Shavers getting the spot in the commercially successful group. Newton instead played for Mezz Mezzrow and Lucky Millinder, led a few record dates (including participating in a set for Hugues Panassie), and worked at Cafe Society, accompanying Billie Holiday on several of her records (most notably "Strange Fruit"). As the 1940s progressed, Newton became less interested in music and gradually faded from the scene, painting more than playing, dying a forgotten and under-utilized talent. ~ Scott Yanow