VA - Mara Gibson: Sky-Born (2017) [Hi-Res]
Artist: Various Artists
Title: Mara Gibson: Sky-Born
Year Of Release: 2017
Label: Navona Records
Genre: Classical
Quality: FLAC (tracks) [48kHz/24bit]
Total Time: 57:18
Total Size: 499 / 197 MB
WebSite: Album Preview
Tracklist:Title: Mara Gibson: Sky-Born
Year Of Release: 2017
Label: Navona Records
Genre: Classical
Quality: FLAC (tracks) [48kHz/24bit]
Total Time: 57:18
Total Size: 499 / 197 MB
WebSite: Album Preview
01 Cascade Quartet - Blackbird
02 Holly Roadfeldt - Prelude No. 1: For Saturday
03 Holly Roadfeldt - Prelude No. 2: The Few Miracles Attributed to the Angel Showed a Certain Mental Disorder
04 JoDee Davis - Spark
05 Holly Roadfeldt - Prelude No. 3: I Have Saved All My Ribbons for Thee
06 Holly Roadfeldt - Prelude No. 4: The Bones Becoming Light
07 Zachary Shemon - Folium Cubed
08 UMKC Conservatory Singers - Sky-Born
09 Holly Roadfeldt - Prelude No. 5: I Have Tried in My Way To Be Free
10 Holly Roadfeldt - Prelude No. 6: Home Is a Failed Idea
11 Megan Ihnen - One Voice
Shocking, gripping, and thought-provoking, Mara Gibson’s new album SKY-BORN conjures a flurry of emotions through its moody music. In one moment, the busy strings create a fury of anxious, energetic sounds; the next, the strike of a lone piano chord paints a brooding soundscape.
SKY-BORN is Gibson’s sophomore album, and the first to be released on Navona Records. She has worked at UMKC Conservatory of Music and Dance for over ten years and will also be teaching this fall at Louisiana State University this year. Gibson’s album features compositions performed by UMKC fellow faculty members, the Cascade Quartet, violist Michael Hall, mezzo-soprano Megan Ihnen, and pianist Holly Roadfeldt.
Gibson drew her inspiration from a variety of artistic mediums. The piano preludes, which are interspersed throughout the album, were inspired by paintings from Jim Condron (www.jcondron.com), each piece extracting a beautifully haunting soundtrack from a series of abstract art. Gibson also used poems as the foundation for her compositions. The eerie One Voice reflected the writings of the Michigan-based poet Hannah Ensor, while The Folium Cubed is Gibson’s response to Luisa Sello’s Let Clover Be Aid. Sky-born sets Emerson’s “Music” for four soloists, full of idealism and hope, in the ugliness, and in the reality, something we do not share enough.
The 15-minute epic Blackbird carries the reader along a journey of grace and violence invigorated by Thirteen Ways of Looking at a Blackbird, a poem by Wallace Stevens. Though influenced by literary works, SKY-BORN breeds nothing but visceral energy and harrowing emotion that resonates with the listener right down to the last note of the viola.
SKY-BORN is Gibson’s sophomore album, and the first to be released on Navona Records. She has worked at UMKC Conservatory of Music and Dance for over ten years and will also be teaching this fall at Louisiana State University this year. Gibson’s album features compositions performed by UMKC fellow faculty members, the Cascade Quartet, violist Michael Hall, mezzo-soprano Megan Ihnen, and pianist Holly Roadfeldt.
Gibson drew her inspiration from a variety of artistic mediums. The piano preludes, which are interspersed throughout the album, were inspired by paintings from Jim Condron (www.jcondron.com), each piece extracting a beautifully haunting soundtrack from a series of abstract art. Gibson also used poems as the foundation for her compositions. The eerie One Voice reflected the writings of the Michigan-based poet Hannah Ensor, while The Folium Cubed is Gibson’s response to Luisa Sello’s Let Clover Be Aid. Sky-born sets Emerson’s “Music” for four soloists, full of idealism and hope, in the ugliness, and in the reality, something we do not share enough.
The 15-minute epic Blackbird carries the reader along a journey of grace and violence invigorated by Thirteen Ways of Looking at a Blackbird, a poem by Wallace Stevens. Though influenced by literary works, SKY-BORN breeds nothing but visceral energy and harrowing emotion that resonates with the listener right down to the last note of the viola.