Steven Isserlis - Saint-Saëns: Cello Concertos Nos. 1 & 2 (2002)

  • 17 Jan, 09:20
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Artist:
Title: Saint-Saëns: Cello Concertos Nos. 1 & 2
Year Of Release: 2002
Label: RCA Red Seal
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:15:56
Total Size: 334 Mb
WebSite:

Tracklist:

Cello Concerto No.1 In A Minor, Op.33
1. I. Allegro non troppo
2. II. Allegretto
3. III. Allegro
Cello Concerto No.2 In D Minor, Op.119
4. I. Allegro moderato e maestoso; Andan...
5. II. Allegro non troppo
6. La Muse et le Poete; Op.132
Suite for Cello and Orchestra, Op.16
7. I. Prelude
8. II. Serenade
9. III. Gavotte
10. IV. Romance
11. V. Tarantelle
12. Priere / Prayer / Gebet, Op.158 for organ

Performers:
Steven Isserlis, cello
Joshua Bell, violin (Op.132)
London Symphony Orchestra
Conductor: Michael Tilson Thomas (Op.33)
NDR Sinfonieorchester
Conductor: Christoph Eschenbach (Op.119)
Francis Grier, organ (Op.158)

Sometimes, not often but sometimes, a little Saint-Saëns is just the thing. When you're in the right mood, his attractive melodies, piquant harmonies, brilliant colors, graceful tempos, and reserved emotionalism can be rather appealing. When you find yourself in that mood, this disc of Saint-Saëns' works for cello and orchestra will be the ideal aural companion. English cellist Steven Isserlis brings to Saint-Saëns' music exactly the qualities needed to succeed: affection, enthusiasm, taste, and virtuosity. In the First Cello Concerto with Michael Tilson Thomas leading the London Symphony Orchestra and the Second with Christoph Eschenbach leading the NDR Sinfonieorchester, Isserlis dominates the music without overpowering it, convincing the listener without compelling him or her. Dueting with American violinist Joshua Bell in La muse et le poète, Isserlis sings of love and youth and summers in the Palais des Tuileries. In the Suite, Isserlis flirts with neo-Classicism so outrageously that it comes close to neo-Rococo. And with organist Francis Grier in Prière, Isserlis sweetly and sincerely hymns the eternal and the infinite. While much more would be too much, this disc is just enough when you find yourself in the mood for Saint-Saëns. RCA's digital sound is warm but a bit too close for comfort.