Jodie Devos, Adèle Charvet and Julien Chauvin - Pergolesi: Stabat Mater (2022) [Hi-Res]
Artist: Jodie Devos, Adèle Charvet, Julien Chauvin
Title: Fréderick Franssen - Horn Concertos Hi-Res.rar - 545.8 MB: Stabat Mater
Year Of Release: 2022
Label: Alpha Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 53:13
Total Size: 228 / 915 MB
WebSite: Album Preview
Tracklist:Title: Fréderick Franssen - Horn Concertos Hi-Res.rar - 545.8 MB: Stabat Mater
Year Of Release: 2022
Label: Alpha Classics
Genre: Classical
Quality: FLAC (tracks) / 24bit-96kHz FLAC (tracks+booklet)
Total Time: 53:13
Total Size: 228 / 915 MB
WebSite: Album Preview
1. Stabat Mater in F Minor, P. 77: I. Stabat Mater dolorosa (4:05)
2. Stabat Mater in F Minor, P. 77: II. Cujus animam gementem (2:01)
3. Stabat Mater in F Minor, P. 77: III. O quam tristis et afflicta (1:48)
4. Stabat Mater in F Minor, P. 77: IV. Quae moerebat et dolebat (2:05)
5. Stabat Mater in F minor, P.77: V. Quis est homo qui non fleret (2:31)
6. Stabat Mater in F Minor, P. 77: VI. Vidit suum dulcem natum (3:45)
7. Stabat Mater in F Minor, P. 77: VII. Eja, Mater fons amoris (2:04)
8. Stabat Mater in F Minor, P. 77: VIII. Fac, ut ardeat cor meum (1:56)
9. Stabat Mater in F Minor, P. 77: IX. Sancta Mater, istud agas (5:06)
10. Stabat Mater in F Minor, P. 77: X. Fac, ut portem Christi moetem (3:21)
11. Stabat Mater in F Minor, P.77: XI. Inflammatus et accensus (1:57)
12. Stabat Mater in F Minor, P. 77: XII. Quando corpus morietur (3:38)
13. Stabat Mater in F Minor, P. 77: XIII. Amen (1:05)
14. Symphony No. 49 in F Minor, Hob. I:49 "La Passione": I. Adagio (7:21)
15. Symphony No. 49 in F Minor, Hob. I:49 "La Passione": II. Allegro di molto (4:06)
16. Symphony No .49 in F Minor, Hob. I:49 "La Passione": III. Menuet - Trio (3:41)
17. Symphony No. 49 in F Minor, Hob. I:49 "La Passione": IV. Finale. Presto (2:52)
Pergolesi’s Stabat Mater has enjoyed enormous fame ever since the eighteenth century – Rousseau called its first movement "the most perfect and touching that has ever come from the pen of any composer". There were many arrangements of the work, by Bach or Hiller among others. It was performed more than eighty times at the Concert Spirituel in Paris between 1753 and 1790, in multiple versions, probably also with the participation of a choir.
After consulting several manuscripts and editions held at the Bibliothèque Nationale de France, Julien Chauvin has chosen to record it with soprano and mezzo soloists (the equivalent of the French dessus and bas-dessus) and a two-part children’s choir: "The choir can play a real role in the narration of a so powerful and poignant text", he says. This recording teams two emblematic singers of the Alpha label with the excellent Maîtrise de Radio France, of which Adèle was a member as a girl. To complement the Neapolitan masterpiece, we have a ‘sacred’ symphony by Haydn, La Passione, probably written for Good Friday, and in the same key as the Stabat.
After consulting several manuscripts and editions held at the Bibliothèque Nationale de France, Julien Chauvin has chosen to record it with soprano and mezzo soloists (the equivalent of the French dessus and bas-dessus) and a two-part children’s choir: "The choir can play a real role in the narration of a so powerful and poignant text", he says. This recording teams two emblematic singers of the Alpha label with the excellent Maîtrise de Radio France, of which Adèle was a member as a girl. To complement the Neapolitan masterpiece, we have a ‘sacred’ symphony by Haydn, La Passione, probably written for Good Friday, and in the same key as the Stabat.
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