Victor Davies - Victor Davies (2001) [.flac 24bit/44.1kHz]

  • 09 Mar, 19:56
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Artist:
Title: Victor Davies
Year Of Release: 2001
Label: Jazzanova-Compost Records
Genre: Folk Jazz, Acid Jazz, Neo-Soul, Soul
Quality: 320 kbps / FLAC (tracks) / FLAC (tracks) 24bit/44.1kHz
Total Time: 00:49:55
Total Size: 118.6 MB / 322.7 MB / 629.2 MB
WebSite:

Tracklist:
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[5:07] 01. Victor Davies - Sound Of The Samba
[4:33] 02. Victor Davies - Better Place
[3:49] 03. Victor Davies - Runaway Train
[5:12] 04. Victor Davies - Spirit
[3:45] 05. Victor Davies - Take It Or Leave It
[3:34] 06. Victor Davies - One Thing
[5:08] 07. Victor Davies - Lady Luck
[3:22] 08. Victor Davies - I´m Just Me
[5:42] 09. Victor Davies - Blues For You
[4:27] 10. Victor Davies - Winnie´s Song
[5:21] 11. Victor Davies - Brother






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Victor Davies Review by Joshua Glazer

The words singer/songwriter rarely appear within the genre of dance music, which is probably why Victor Davies sounds so refreshing and new, despite the fact that he is working in the classic '70s folk-funk template laid down by artists like Roy Ayers and Terry Callier. In essence, Davies' debut album on JCR (Jazzanova Compost Recordings) sounds like the template music that jazz-dub heavyweights Jazzanova and Kruder & Dorfmeister rebuilt into their '90s beat-fetish likeness of the original. But Davies' stellar vocals and melodies that walk the line between classic and cliché create a strangely comforting and familiar place where the grown-up children of '70s soul-schmaltz fusion can grasp at a nostalgia lying just out of reach. "One Thing" centers around a country-folk guitar that could have been snagged from the Black Crowes, or better yet, Led Zeppelin. "Spirit" takes the marshmallow pop influence of "Afternoon Delight" and brings it to just the hip side of easy listening. The opener, "Sound of the Samba," begins as a melancholy tribute to the Latin festivals before a theatrical tempo shift brings the listener into the middle of the Caribbean disco carnival Davies is singing about. Unafraid of the commitment required to make a truly inspired song, Davies demonstrates why, despite the academic illusion to the contrary, a sampler is no match for an artist with a gold-stringed guitar and honey-coated voice.




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