Machado Mijiga - Gradient (2022)
Artist: Machado Mijiga
Title: Gradient
Year Of Release: 2022
Label: Vibemaster Records
Genre: Jazz
Quality: Mp3 320 kbps / FLAC (tracks)
Total Time: 78:22 min
Total Size: 190 / 460 MB
WebSite: Album Preview
Tracklist:Title: Gradient
Year Of Release: 2022
Label: Vibemaster Records
Genre: Jazz
Quality: Mp3 320 kbps / FLAC (tracks)
Total Time: 78:22 min
Total Size: 190 / 460 MB
WebSite: Album Preview
1. 21cc
2. Sepia
3. Rev
4. Gradient
5. Legacy
6. Sarcophagus
7. Solace
8. Adversary
9. Rembrandt
10. Back Home
11. Archipelago
Gradient is a culmination of a year of planning, a decade of composing, and a lifetime of artistic and interpersonal relationships weaved into a 78-minute package.
In 2020, I released, "Journal", where I enlisted a team of 23 drummers to play a mix of old and new compositions of mine. Journal was entirely self-produced, and I played all instruments except for drums.
Gradient is more of an "Essay"– I enlisted a team of 13 instrumentalists to play a mix of old and new compositions of mine, but Gradient was entirely a community effort. This time around, I only played drums, and I outsourced all production elements to specialists.
Gradient isn't just mine; it was made possible through the efforts of a sonic dream team, hand-picked from within Portland's vibrant and diverse jazz scene. Some of the finest musical minds in the city agreed to be a part of this process, and worked tirelessly to interpret and breathe life into the lines and dots I gave them.
I have mild synesthesia, and often hear sounds as colors, patterns, or even shapes. It's why a lot of my compositions have had colors or shapes as a name (e.g., "Auburn", "Isosceles", or "Ultraviolet")
Gradient got its name because a wide variety of the colors I see/hear for the pieces in this album are not a solid, but a spectrum or color group– the music is a bit harmonically, rhythmically, and texturally ambiguous. Some of the compositions have strong memories or emotions attached to them, and some are purely fictional. I hope that this music creates entirely new narratives in the capable ears of you listeners.
In 2020, I released, "Journal", where I enlisted a team of 23 drummers to play a mix of old and new compositions of mine. Journal was entirely self-produced, and I played all instruments except for drums.
Gradient is more of an "Essay"– I enlisted a team of 13 instrumentalists to play a mix of old and new compositions of mine, but Gradient was entirely a community effort. This time around, I only played drums, and I outsourced all production elements to specialists.
Gradient isn't just mine; it was made possible through the efforts of a sonic dream team, hand-picked from within Portland's vibrant and diverse jazz scene. Some of the finest musical minds in the city agreed to be a part of this process, and worked tirelessly to interpret and breathe life into the lines and dots I gave them.
I have mild synesthesia, and often hear sounds as colors, patterns, or even shapes. It's why a lot of my compositions have had colors or shapes as a name (e.g., "Auburn", "Isosceles", or "Ultraviolet")
Gradient got its name because a wide variety of the colors I see/hear for the pieces in this album are not a solid, but a spectrum or color group– the music is a bit harmonically, rhythmically, and texturally ambiguous. Some of the compositions have strong memories or emotions attached to them, and some are purely fictional. I hope that this music creates entirely new narratives in the capable ears of you listeners.