Pedro Mateo González - Ondulation (2022) [DSD & Hi-Res]
Artist: Pedro Mateo González
Title: Ondulation
Year Of Release: 2022
Label: Eudora Records
Genre: Classical Guitar
Quality: flac lossless (tracks) / flac 24bits - 192.0kHz / DSD218 +Booklet
Total Time: 01:09:07
Total Size: 288 mb / 2.53 / 5.46 gb
WebSite: Album Preview
TracklistTitle: Ondulation
Year Of Release: 2022
Label: Eudora Records
Genre: Classical Guitar
Quality: flac lossless (tracks) / flac 24bits - 192.0kHz / DSD218 +Booklet
Total Time: 01:09:07
Total Size: 288 mb / 2.53 / 5.46 gb
WebSite: Album Preview
01. Suite in C Minor, BWV 997: I. Prelude
02. Suite in C Minor, BWV 997: II. Fuga
03. Suite in C Minor, BWV 997: III. Sarabande
04. Suite in C Minor, BWV 997: IV. Gigue & Double
05. Darabok a Gitáriskolának: No. 102, Hullámzás - Ondulation
06. Darabok a Gitáriskolának: No. 45, Parlando
07. Suite in G Major, BWV 1007 (Arr. for Guitar by Pedro Mateo González): I. Prelude
08. Suite in G Major, BWV 1007 (Arr. for Guitar by Pedro Mateo González): II. Allemande
09. Suite in G Major, BWV 1007 (Arr. for Guitar by Pedro Mateo González): III. Courante
10. Suite in G Major, BWV 1007 (Arr. for Guitar by Pedro Mateo González): IV. Sarabande
11. Suite in G Major, BWV 1007 (Arr. for Guitar by Pedro Mateo González): V. Menuets I & II
12. Suite in G Major, BWV 1007 (Arr. for Guitar by Pedro Mateo González): VI. Gigue
13. Darabok a Gitáriskolának: No. 25, Cantabile
14. Darabok a Gitáriskolának: No. 144, [Without indication]
15. Partita in D Minor, BWV 1004 (Arr. for Guitar by Pedro Mateo González): I. Allemanda
16. Partita in D Minor, BWV 1004 (Arr. for Guitar by Pedro Mateo González): II. Corrente
17. Partita in D Minor, BWV 1004 (Arr. for Guitar by Pedro Mateo González): III. Sarabanda
18. Partita in D Minor, BWV 1004 (Arr. for Guitar by Pedro Mateo González): IV. Giga
19. Partita in D Minor, BWV 1004 (Arr. for Guitar by Pedro Mateo González): V. Ciaccona
A fascinating album featuring spellbinding recordings of Bach’s Suites and Partitas on the guitar, interspersed by first recordings of György Kurtág’s four short pieces extracted from “Darabok a Gitáriskolának”. Performed with finesse and utmost sensitivity, Pedro Mateo González guides us in a voyage through Back and Kurtág’s music, recorded in the sumptuous acoustics of the 13th Century Convent of San Francisco, in Ávila, Spain.