Narciso Yepes - The Art of Narciso Yepes (2022)
Artist: Narciso Yepes
Title: The Art of Narciso Yepes
Year Of Release: 2022
Label: UMG Recordings, Inc.
Genre: Classical
Quality: FLAC (tracks)
Total Time: 10:46:38
Total Size: 2.59 GB
WebSite: Album Preview
Tracklist:Title: The Art of Narciso Yepes
Year Of Release: 2022
Label: UMG Recordings, Inc.
Genre: Classical
Quality: FLAC (tracks)
Total Time: 10:46:38
Total Size: 2.59 GB
WebSite: Album Preview
01. 2. Appel
02. Gallarda y Villano
03. Danza de las hachas
04. Españoletas
05. Rujero y Paradetas
06. Zarabanda al ayre espanol
07. Passacalle
08. La Miñona de Cataluña
09. 3. Scherzo. Allegretto
10. 3. Contornos
11. 4. Abismos
12. Le Pris
13. Tárrega: ¡Adelita! Mazurka in G Minor
14. Combattans
15. Fanfarre (Allegro marziale)
16. Rigidon
17. Girardilla (Presto)
18. Pastorcito, Tu Que Vienes, Pastorcito Tu Que Vas (Allegro Vivace)
19. Harlequinade
20. Pastoral (Allegro)
21. Entrada (Allegro vivace)
22. Anonymous: Nuevas te traygo, carillo
23. Torre: Dime, triste corazón
24. Vazquez: En la fuente del rosel
25. Anonymous: Dindirindin
26. Anonymous: Los hombres con gran plazer
27. Valderrábano: De dónde venis, amore?
28. Pujol Villarrubí: El abejorro (Etude)
29. D. Scarlatti: Sonata in B-Flat Major, K. 42: Minuetto - Arr. for Guitar by Narciso Yepes
30. Etude No. 1 in E minor
31. Etude No. 2 In A Major
32. Folias
33. Canarios
34. 3. Danza de las hachas (Allegro con brio)
35. 2. Oscilaciones
36. Yepes: Jeux interdits (Romance)
37. Tárrega: Recuerdos de la Alhambra
38. 3. Allegro
39. 1. Propulsiones
40. III. Danza de las hachas (Allegro con brio) (Version 1977)
41. D. Scarlatti: Sonata in D Minor, K. 32: Aria - Arr. for Guitar by Narciso Yepes
42. D. Scarlatti: Sonata in A Major, K. 322: Allegro - Arr. for Guitar by Narciso Yepes
43. Hanaque
44. Tárrega: Recuerdos de la Alhambra
45. Madrigal (Andante nostalgico)
46. 2. Scherzando (attacca:)
47. Fandango
48. 3. Allegretto non troppo
49. Caccia a la española (Allegro vivace - Andante nostalgico
50. 1. (Allegro giusto)
51. 2. Largo
52. 2. Largo
53. 3. Allegro
54. I. Villano y ricercare (Adagietto - Andante moderato) (Version 1977)
55. Torre bermeja. Serenata
56. Rumores de la Caleta. Malagueña
57. I. Allegro maestoso
58. II. Andantino
59. II. Adagio
60. III. Minuetto
61. Mudarra: Fantasìa que contrahaze la harpa en la manera de Ludovico
62. Malagueña. Allegretto – Adagio
63. Granados: Spanish Dance, Op.37, No.5 "Andaluza" - Arr. For Guitar By Narciso Yepes
64. Moreno Torroba: Madroños
65. Poulenc: Sarabande pour guitare, FP 179
66. Etude No. 12 In A Minor
67. No. 1 In E Minor
68. I. Preludio
69. Ouverture - viste
70. 1. Andantino
71. 3. Danse
72. 4. Prière
73. Sainz de la Maza: Petenera
74. Sainz de la Maza: Andaluza
75. Yepes: Jeux interdits (Romance)
76. Cancion y Danza No. 1 - Arr. For Guitar By Narciso Yepes
77. Alfonso El Sabio: Rosa das rosas
78. de Fuenllana: Pérdida de Antequera
79. Mudarra: Triste estaua el rey David
80. Milán: Toda mi vida os amé
81. de Triana: Dínos, madre del donsel
82. Mudarra: Si me llaman a mí
83. Encina: Romerico
84. Vazquez: Vos me matastes
85. Mudarra: Claros y frescos ríos
86. Mudarra: Ysabel, perdiste la tu faxa
87. Narváez: Con qué la lavaré
88. Alfonso El Sabio: Santa María
89. Alfonso El Sabio: Cantigas de Santa Maria
90. Sonata In D Major - Arr. For Guitar By Narciso Yepes
91. Pujol Villarrubí: Canción de cuna
92. Llobet: La filla del marxant
93. Montsalvatge: Habanera - Arr. For Guitar By Narciso Yepes
94. Falla: Homenaje "Le tombeau de Debussy" - Arr. For Guitar By Narciso Yepes
95. Farruca
96. D. Scarlatti: Sonata in G Major, K. 146 - Arr. for Guitar by Narciso Yepes
97. D. Scarlatti: Sonata in D Minor, K. 34: Larghetto - Arr. for Guitar by Narciso Yepes
98. D. Scarlatti: Sonata in F Minor, K. 238: Andante - Arr. for Guitar by Narciso Yepes
99. D. Scarlatti: Sonata in G Major, K. 283: Andante allegro - Arr. for Guitar by Narciso Yepes
100. D. Scarlatti: Sonata in D Minor, K. 64: Gavotte - Arr. for Guitar by Narciso Yepes
101. D. Scarlatti: Sonata in F Major, K. 446: Pastorale - Arr. for Guitar by Narciso Yepes
102. D. Scarlatti: Sonata in B Major, K. 377: Allegrissimo - Arr. for Guitar by Narciso Yepes
103. Etude No. 3 In D Major
104. Etude No. 4 In G Major
105. Etude No. 5 In C Major
106. Etude No. 6 In E Minor
107. Etude No. 7 In E Major
108. Etude No. 8 In C-Sharp Minor
109. Etude No. 9 In F-Sharp Minor
110. Etude No. 10 In B Minor
111. Etude No. 11 In E Minor
112. No. 2 In E Major
113. No. 3 In A Minor
114. No. 4 In E Minor
115. No. 5 In D Major
116. Poulenc: Sarabande pour guitare, FP 179
117. Day Of Love
118. Day Of Hate
119. Day Of Decision
120. Day Of Fight
121. Day Of Death
122. 1. Allegro con spirito
123. 3. Allegro gentile
124. 3. Villanella Tamburina
125. 1. Villano y Ricercare (Adagietto - Andante moderato)
126. 3. Elegía
127. 1. Allegro preciso
128. 2. Andantino e andante
129. 4. Molto vivace
130. Arieta (Andante nostalgico)
131. Zapateado (Allegro vivace)
132. 1. Allegro
133. 4. Canario (Allegro ma non troppo)
134. 1. Allegretto
135. 2. Andantino alla romanza - Largo
136. 3. Ritmico e cavalleresco
137. II. Españoleta y fanfare de la caballería de Nápoles (Adagio - Allegretto molto ritmico) (Version 1977)
138. IV. Canario (Allegro ma non troppo) (Version 1977)
139. Asturias (Leyenda)
140. 1. Allegro
141. 2. Romanza. Andante
142. 4. Rondo. Allegro ben misurato
143. 1. Gráfico de la farruca y cadencias
144. 2. Improvisación sobre un gráfico de la siguiriya
145. 3. Gráfico de la bulería y tiento
146. 1. Canto libre
147. II. Pastorale (.:)
148. III. Grave assai - IV. Fandango
149. I. Allegro maestoso assai
150. III. Allegretto
151. IV. La ritirata di Madrid
152. I. Allegro moderato
153. IV. Allegretto
154. I. Allegro con spirito (Version 1979)
155. III. Allegro gentile (Version 1979)
156. II. Fugue
157. 1. Allegro maestoso
158. 2. Andantino siciliano
159. 3. Alla polacca (Allegretto)
160. Milán: Aquel caballero, madre
161. Sor: Variations on a Theme by Mozart, Op. 9
162. D. Scarlatti: Sonata in E-Flat Major, K. 474: Andante e cantabile - Arr. for Guitar by Narciso Yepes
163. D. Scarlatti: Sonata in D Minor, K. 77: Moderato e cantabile - Arr. for Guitar by Narciso Yepes
164. Brouwer: Parabola
165. Ruiz-Pipó: Estancias
166. Maderna: Y Después
Narciso Yepes was one of the finest virtuoso classical guitarists of the twentieth century, generally ranked second after Andrés Segovia. Despite a strong interest in music from the Baroque period, his overwhelming preference was for the serious compositions of Spanish composers from the early twentieth century, though he also showed interest in flamenco music. He displayed a special fondness for the works of Joaquín Rodrigo and was instrumental in the rediscovery of many previously neglected Baroque compositions. He also achieved distinction as a composer, especially in the realm of film music.
Narciso Yepes was born in the small town of Marchena, Spain, located near Lorca. He showed musical talent in his pre-school years, prompting his peasant father to give him his first guitar when he was only four. He soon played with great proficiency and his father arranged for young Narciso to take lessons in guitar and solfeggio in Lorca from Jesús Guevara. Yepes enrolled at the Valencia Conservatory at age 13 and was instructed (though not in guitar) by composer/pianist Vicente Asencio. He gave his first public performance in Valencia at the Teatro Serrano, then returned with his family to Lorca. There he played for Ataulfo Argenta, conductor of the Spanish National Orchestra, who was so impressed by his skills that he convinced Yepes to travel to Madrid to launch his career. There, the young guitarist met some of the most influential musicians in the country, including Joaquín Rodrigo, who had completed his guitar masterpiece, the Concierto de Aranjuez, several years earlier. Yepes found the work most attractive and decided to play it for his official concert debut in 1947, for which he was partnered with Argenta, who led the Orquesta de Cámara. His further performances of the work during the early years of his career are now seen as crucial to the current popularity of the Rodrigo concerto. Yepes' concerts were well-received and he quickly became one of the most highly regarded guitarists in Spain. He gave a successful tour of Europe in 1948 -- with notable success in Geneva, Switzerland -- then two years later relocated to Paris for further study with George Enescu and Walter Gieseking. He also spent time with Nadia Boulanger, though apparently never became a student. Yepes wrote and performed the music for the 1952 film Jeux interdits, which garnered awards at Cannes, Venice, and Hollywood. Yepes met his wife -- who was of Polish origin -- in Paris, and they were married in 1958. Their union produced three children, one of whom, Ignacio, became a conductor, and another, Ana, a choreographer with the Paris Opera. In the 1960s, Yepes was especially active as both a guitar soloist and composer. He achieved acclaim for his score of the 1961 film La fille aux yeux d'or. In 1964, Yepes developed and thereafter played a ten-string guitar, which he asserted was superior to the six-stringed guitar especially in the realm of the transcription. In the 1970s and 1980s, Yepes remained active in all facets of his career, but made fewer concert appearances. He received many awards during this period, including an honorary doctorate degree from the University of Murcia, and various artistic, radio, and television citations. In 1980, he made his highly praised recording of the Rodrigo Concierto de Aranjuez with the Philharmonia Orchestra conducted by García Navarro. In 1993, Yepes was forced to sharply curtail his concert activity owing to his declining health. He gave his final concert in Santander, Spain, in 1996. ~ Robert Cummings
Narciso Yepes was born in the small town of Marchena, Spain, located near Lorca. He showed musical talent in his pre-school years, prompting his peasant father to give him his first guitar when he was only four. He soon played with great proficiency and his father arranged for young Narciso to take lessons in guitar and solfeggio in Lorca from Jesús Guevara. Yepes enrolled at the Valencia Conservatory at age 13 and was instructed (though not in guitar) by composer/pianist Vicente Asencio. He gave his first public performance in Valencia at the Teatro Serrano, then returned with his family to Lorca. There he played for Ataulfo Argenta, conductor of the Spanish National Orchestra, who was so impressed by his skills that he convinced Yepes to travel to Madrid to launch his career. There, the young guitarist met some of the most influential musicians in the country, including Joaquín Rodrigo, who had completed his guitar masterpiece, the Concierto de Aranjuez, several years earlier. Yepes found the work most attractive and decided to play it for his official concert debut in 1947, for which he was partnered with Argenta, who led the Orquesta de Cámara. His further performances of the work during the early years of his career are now seen as crucial to the current popularity of the Rodrigo concerto. Yepes' concerts were well-received and he quickly became one of the most highly regarded guitarists in Spain. He gave a successful tour of Europe in 1948 -- with notable success in Geneva, Switzerland -- then two years later relocated to Paris for further study with George Enescu and Walter Gieseking. He also spent time with Nadia Boulanger, though apparently never became a student. Yepes wrote and performed the music for the 1952 film Jeux interdits, which garnered awards at Cannes, Venice, and Hollywood. Yepes met his wife -- who was of Polish origin -- in Paris, and they were married in 1958. Their union produced three children, one of whom, Ignacio, became a conductor, and another, Ana, a choreographer with the Paris Opera. In the 1960s, Yepes was especially active as both a guitar soloist and composer. He achieved acclaim for his score of the 1961 film La fille aux yeux d'or. In 1964, Yepes developed and thereafter played a ten-string guitar, which he asserted was superior to the six-stringed guitar especially in the realm of the transcription. In the 1970s and 1980s, Yepes remained active in all facets of his career, but made fewer concert appearances. He received many awards during this period, including an honorary doctorate degree from the University of Murcia, and various artistic, radio, and television citations. In 1980, he made his highly praised recording of the Rodrigo Concierto de Aranjuez with the Philharmonia Orchestra conducted by García Navarro. In 1993, Yepes was forced to sharply curtail his concert activity owing to his declining health. He gave his final concert in Santander, Spain, in 1996. ~ Robert Cummings
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