Will Glaser - Climbing in Circles Pt.4 (2022)

Artist: Will Glaser
Title: Climbing in Circles Pt.4
Year Of Release: 2022
Label: limited NOISE
Genre: Jazz
Quality: FLAC (tracks) | Mp3 / 320kbps
Total Time: 47:57
Total Size: 256 MB | 109 MB
WebSite: Album Preview
TracklistTitle: Climbing in Circles Pt.4
Year Of Release: 2022
Label: limited NOISE
Genre: Jazz
Quality: FLAC (tracks) | Mp3 / 320kbps
Total Time: 47:57
Total Size: 256 MB | 109 MB
WebSite: Album Preview
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01. Will Glaser; Matthew Herd; ALEX BONNEY - Beginnings
02. Will Glaser; Matthew Herd; ALEX BONNEY - Stained & Fractured Glass
03. Will Glaser; Matthew Herd; ALEX BONNEY - Spiral Dance
04. Will Glaser; Matthew Herd; ALEX BONNEY - Bad Dream Machines
05. Will Glaser; Matthew Herd; ALEX BONNEY - Subterranea
06. Will Glaser; Matthew Herd; ALEX BONNEY - Middle Things
07. Will Glaser; Matthew Herd; ALEX BONNEY - Of the Woods
08. Will Glaser; Matthew Herd; ALEX BONNEY - Dead Fly Disco
09. Will Glaser; Matthew Herd; ALEX BONNEY - Ballad in the Jazz Style
10. Will Glaser; Matthew Herd; ALEX BONNEY - Psithurism
11. Will Glaser; Matthew Herd; ALEX BONNEY - Endings
With its exploration of production and processing techniques, Climbing in Circles pt. 4 is the first album for which Glaser has expressly used the studio itself as an instrument and as a vehicle for composition. Following on from his critically acclaimed release, Climbing in Circles pt. 3 (Ubuntu Music, 2021), the new album features long-time collaborator, Matthew Herd, on saxophones and piano, alongside trumpeter, electronic artist and producer, Alex Bonney, and the album was built from the ground up through a reflective process of improvisation, recording and studio-craft.
Whilst the experimental, tape-edited works of electric era Miles Davis, the dank melancholy of Trip-Hop, the hymnal, slow creaking of Gavin Bryars’ Sinking of The Titanic, the polyrhythmic streetscapes of late 50s Moondog, and the joyous and playful lyricism of John Lurie’s Fishing With John might suggest the kind of aesthetic palette from which Climbing In Circles pt.4 was drawn, Glaser has created a unique album that sounds fresh and contemporary, produced from the melding and celebration of the musical personalities, contributions, and relationships of those involved.
Whilst the experimental, tape-edited works of electric era Miles Davis, the dank melancholy of Trip-Hop, the hymnal, slow creaking of Gavin Bryars’ Sinking of The Titanic, the polyrhythmic streetscapes of late 50s Moondog, and the joyous and playful lyricism of John Lurie’s Fishing With John might suggest the kind of aesthetic palette from which Climbing In Circles pt.4 was drawn, Glaser has created a unique album that sounds fresh and contemporary, produced from the melding and celebration of the musical personalities, contributions, and relationships of those involved.
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