Boston Symphony Orchestra - Boston Symphony Orchestra - Great Recordings (2022)

19 May, 04:22
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Artist: Boston Symphony Orchestra
Title: Boston Symphony Orchestra - Great Recordings
Year Of Release: 2022
Label: UMG Recordings, Inc.
Genre: Classical
Quality: FLAC (tracks)
Total Time: 8:06:19
Total Size: 2.04 GB
WebSite: Album Preview

Tracklist:

01. 3. Allegro moderato - attacca: (Live)
02. Fanfare No. 1 (Live at Symphony Hall, Boston / 2017)
03. Return from the Hunt (Live at Symphony Hall, Boston / 2017)
04. Fanfare No. 4 (Live at Symphony Hall, Boston / 2017)
05. Fanfare No. 2 (Live at Symphony Hall, Boston / 2017)
06. The Blinding of Gloucester (Live at Symphony Hall, Boston / 2017)
07. The Military Camp (Live at Symphony Hall, Boston / 2017)
08. 3. Danse antique (Allegretto)
09. 4. Variations de Cléopatre (Moderato maestoso)
10. Polka
11. (Allegro)
12. VI. Les attentives II
13. VIII. Réponse des Cosaques Zaporogues au Sultan de Constantinople
14. XI. Schlussstück
15. Der Prediger (Live at Symphony Hall, Boston / 2016)
16. Der Tod (Live at Symphony Hall, Boston / 2016)
17. Der Tod zum Papst – Der Papst (Live at Symphony Hall, Boston / 2016)
18. Der Tod zum König – Der König (Live at Symphony Hall, Boston / 2016)
19. Der Tod zum Mönch – Der Mönch (Live at Symphony Hall, Boston / 2016)
20. Der Tod zum Ritter – Der Ritter – Der Tod zum Bürgermeister – Der Bürgermeister (Live at Symphony Hall, Boston / 2016)
21. II. Gloria: Quoniam tu solus sanctus (Live at Concertgebouw, Amsterdam / 1978)
22. III. Credo: Et vitam venturi saeculi (Live at Concertgebouw, Amsterdam / 1978)
23. IV. Sanctus: Pleni sunt coeli (Live at Concertgebouw, Amsterdam / 1978)
24. Approach of the Storm (Live at Symphony Hall, Boston / 2017)
25. March (Live at Symphony Hall, Boston / 2017)
26. II. Funeral March (Live)
27. IV. The Hunt (Live)
28. IX. Ophelia's Song (Live)
29. X. Cradle Song (Live)
30. Der Tod zum Kaiser – Der Kaiser (Live at Symphony Hall, Boston / 2016)
31. Der Tod zum Kardinal – Der Kardinal (Live at Symphony Hall, Boston / 2016)
32. Der Tod zum Kaufmann – Der Kaufmann (Live at Symphony Hall, Boston / 2016)
33. Der Tod zum Küster – Der Küster – Der Tod zum Küster (Live at Symphony Hall, Boston / 2016)
34. Der Handwerker – Der Tod zum Handwerker (Live at Symphony Hall, Boston / 2016)
35. Der Tod zum Bauer – Der Bauer (Live at Symphony Hall, Boston / 2016)
36. Der Tod zum Mädchen – Das Mädchen (Live at Symphony Hall, Boston / 2016)
37. Der Tod zum Kind – Das Kind (Live at Symphony Hall, Boston / 2016)
38. Introduction and Ballad of Cordelia (Live at Symphony Hall, Boston / 2017)
39. Scene on the Steppe (Live at Symphony Hall, Boston / 2017)
40. 1. - (Live at Symphony Hall, Boston / 2019)
41. 2. - (Live at Symphony Hall, Boston / 2019)
42. 3. - (Live at Symphony Hall, Boston / 2019)
43. Shostakovich: Festive Overture, Op. 96 (Live at Symphony Hall, Boston / 2017)
44. 1. Les Nubiennes, valse (Allegretto)
45. 2. Adagio
46. 5. Les Troyennes (Moderato con moto)
47. 6. Variations du miroir (Allegretto)
48. 7. Danse de Phryné (Allegro vivo)
49. Overture
50. Valse lente
51. Valse-Allegro vivo-Valse-Allegro misterioso
52. Allegro - Cancan
53. Vivo - Barcarolle - Allegro moderato
54. 1. Prélude. Quasi Adagio
55. 2. Fileuse. Andantino quasi Allegretto
56. Chanson de Mélisande
57. 4. Sicilienne
58. 6. Molto adagio
59. Fauré: Après un Rêve Op.7, No.1
60. Fauré: Pavane, Op. 50
61. Molto adagio
62. Paganini: Moto perpetuo, Op. 11
63. 1. Andante tranquillo
64. 2. Allegro
65. 3. Adagio
66. 4. Allegro molto
67. I. Allegro (Live)
68. II. Moderato (Live)
69. III. Presto - (Live)
70. IV. Largo - (Live)
71. V. Allegretto (Live)
72. II. Allegretto (Live)
73. Nuages. Modéré
74. Fêtes. Animé et très rythmé
75. I. Allegretto - Allegro non troppo
76. II. Allegro
77. III. Lento
78. I. Allegretto
79. III. Allegretto
80. I. De Profundis
81. II. Malagueña
82. III. Loreley
83. IV. Le suicidé
84. V. Les attentives I
85. VII. A la santé
86. IX. O, Delvig, Delvig!
87. X. Der Tod des Dichters
88. I. Largo - attacca (Orch. Barshai)
89. II. Allegro molto - attacca (Orch. Barshai)
90. III. Allegretto - attacca (Orch. Barshai)
91. IV. Largo - attacca (Orch. Barshai)
92. V. Largo (Orch. Barshai)
93. Ravel: Pavane pour une infante défunte, M.19
94. Overture
95. 2. Allegretto (Live)
96. 5. Presto - Molto poco adagio - attacca (Live)
97. 6. Adagio quasi un poco andante - attacca: (Live)
98. 2. Vivace (Live)
99. I. Kyrie: Kyrie eleison (Live at Concertgebouw, Amsterdam / 1978)
100. I. Kyrie: Christe eleison (Live at Concertgebouw, Amsterdam / 1978)
101. I. Kyrie: Kyrie eleison (II) (Live at Concertgebouw, Amsterdam / 1978)
102. II. Gloria: Gloria in excelsis Deo (Live at Concertgebouw, Amsterdam / 1978)
103. II. Gloria: Qui tollis peccata mundi (Live at Concertgebouw, Amsterdam / 1978)
104. II. Gloria: In gloria Dei Patris, Amen (Live at Concertgebouw, Amsterdam / 1978)
105. II. Gloria: Amen - Quoniam tu solus sanctus (Live at Concertgebouw, Amsterdam / 1978)
106. III. Credo: Credo in unum Deum (Live at Concertgebouw, Amsterdam / 1978)
107. III. Credo: Et incarnatus est (Live at Concertgebouw Amsterdam)
108. III. Credo: Et ascendit in coelum (Live at Concertgebouw, Amsterdam / 1978)
109. III. Credo: Amen (Live at Concertgebouw, Amsterdam / 1978)
110. IV. Sanctus: Sanctus Dominus Deus Sabaoth (Live at Concertgebouw, Amsterdam / 1978)
111. IV. Sanctus: Praeludium (Live at Concertgebouw, Amsterdam / 1978)
112. V. Agnus Dei: Agnus Dei (Live at Concertgebouw, Amsterdam / 1978)
113. V. Agnus Dei: Dona nobis pacem (Live at Concertgebouw, Amsterdam / 1978)
114. V. Agnus Dei: Agnus Dei (II) (Live at Concertgebouw, Amsterdam / 1978)
115. V. Agnus Dei: Presto (Live at Concertgebouw, Amsterdam / 1978)
116. 3. Menuetto (Allegretto)
117. II. Allegro (Live at Symphony Hall, Boston / 2017)
118. III. Presto (Live at Symphony Hall, Boston / 2017)
119. I. Introduction and Night Patrol (Live)
120. III. Flourish and Dance Music (Live)
121. XI. Requiem (Live)
122. II. Allegretto (Live)
123. III. Allegro non troppo (Live)

The Boston Symphony Orchestra is one of the most prominent U.S. symphonic ensembles, with deep roots in the Germanic practices that formed the model for American orchestral culture. The orchestra's catalogue of recordings on the RCA Victor label in the middle of the 20th century, artistically ambitious and sonically top-notch thanks to the ambiance of Boston's magnificent Symphony Hall, continue to set a standard. The Boston Symphony Orchestra was formed in 1881 with principal support from banker Henry Lee Higginson, who also spearheaded the construction of Symphony Hall and its opening in 1900. Its membership consisted largely of German-trained musician, and its first conductor, George Henschel, was a friend of Brahms. Subsequent conductors were German or, in the case of Arthur Nikisch, Hungarian. Especially important was Karl Muck, a former conductor of the Berlin Court Opera (now the Berlin State Opera), who led the orchestra from 1906 to 1908, and again from 1912 to 1918 after the leadership of Max Fiedler in the interim. Muck stepped down and was held in an internment camp in Georgia after espousing pro-German sympathies during World War I. But beginning with Pierre Monteux in 1919, the Boston Symphony boasted a series of internationally renowned and non-German conductors. Monteux was French; Serge Koussevitsky, who led the orchestra from 1924 to 1949, was Russian and a towering figure who commissioned numerous modern works and led the world premieres of Stravinsky's Symphony of Psalms and Bartók's Concerto for Orchestra, among many other now-standard works, and founded the annual Tanglewood Music Festival and its associated talent-development classes, with the BSO in residence. Koussevitsky was succeeded by Alsatian-French Charles Münch (1949-1963) and the Austrian-Jewish Erich Leinsdorf, whose RCA recordings were central to collections in the LP era in the U.S. Leinsdorf was succeeded for several years by the ailing William Steinberg and in 1973 by Japanese-born Seiji Ozawa, whose leadership was artistically controversial but long, and also marked by significant recordings, mostly on the Deutsche Grammophon label. Another conductor with an operatic background, James Levine, followed Ozawa in 2002; he stepped down due to ill health and Latvian conductor Andris Nelsons, who had taken on Mahler's vast Symphony No. 8 ("Symphony of a Thousand") as an emergency replacement for Levine, was named conductor. His contract has been extended through 2022, and he has led the orchestra in new recordings with Deutsche Grammophon, including a live cycle of the symphonies of Dmitri Shostakovich. A notable feature of the orchestra's musical life is the existence of the Boston Pops light music orchestra, with personnel drawn from the ranks of the BSO; under conductor Arthur Fiedler (son of Max), that group attained unprecedented popularity on American radio and television as well as in live concerts. The Boston Symphony Orchestra has also been heard on the scores of two films by director Steven Spielberg, Schindler's List and Saving Private Ryan, with the scores' composer, John Williams, as conductor. ~ James Manheim

Boston Symphony Orchestra - Great Recordings.rar - 2.0 GB