The BBC Concert Orchestra, Rupert Marshall-Luck, Roderick Williams, David Owen Norris, Gavin Sutherland - Now Comes Beauty (2016)

  • 31 May, 10:52
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Artist:
Title: Now Comes Beauty
Year Of Release: 2016
Label: EM Records
Genre: Classical
Quality: FLAC (tracks) / MP3 320 Kbps
Total Time: 01:55:02
Total Size: 484 / 291 Mb
WebSite:

Tracklist:

A Festival Overture (Matthew Curtis)
1. A Festival Overture 04:53
White Nights, Op. 26a (David Matthews)
2. White Nights, Op. 26aRupert Marshall-Luck 10:42
Now Comes Beauty (version for orchestra) (Paul Carr)
3. Now Comes Beauty (version for orchestra) 03:40
Norfolk Suite (Paul Lewis)
4. I. Castle Rising 03:04
5. II. Wymondham Abbey 04:00
6. III. Ranworth Broad 04:11
7. IV. Norwich Market 02:38
Binyon Songs (Version for Voice & Orchestra) (John Pickard)
8. No. 1. Nature 01:56
9. No. 2. Sowing Seed 02:47
10. No. 3. Autumn Song 01:04
11. No. 4. When All the World Is Hidden 02:15
12. No. 5. The Burning of the Leaves 08:02
Spirited (Richard Blackford)
13. Spirited 05:59
Suddenly It's Evening (Paul Carr)
14. Suddenly It's EveningRupert Marshall-Luck 07:46
Aubade Joyeuse (Philip Lane)
15. Aubade Joyeuse 08:38
Legend (Christopher Wright)
16. Legend 12:02
Piano Concerto in C major ()
17. I. Allegro 08:41
18. II. Andante serioso 11:56
19. III. Allegro molto 10:48

Performers:
Rupert Marshall-Luck (violin)
Roderick Williams (baritone)
David Owen Norris (piano)
BBC Concert Orchestra
Gavin Sutherland
Owain Arwel Hughes

Presented here is a collection of works, all commissioned or premièred by the English Music Festival, of different styles, inspirations and influences, but which all demonstrate a tremendous beauty, individuality and vibrancy. Sparkling and celebratory overtures are provided by Matthew Curtis and Richard Blackford, while Paul Carr provides gorgeous lyricism with Now Comes Beauty and Suddenly It’s Evening ; and Philip Lane’s Aubade Joyeuse bubbles with energy. Both Christopher Wright’s Legend and Paul Lewis’s Norfolk Suite evoke a wonderful sense of atmosphereand David Matthews’s White Nights is full of searing beauty. David Owen Norris’s Piano Concerto is typically idiosyncratic and effervescent; while John Pickard’s Binyon song-cycle combines a terser musical language with some moments of meltingly beautiful lyricism. This disc demonstrates that English music as a genre is currently thriving, with a plethora of composers with new and exciting things to say in accessible and attractive musical languages. The English music tradition, and the legacy of which Vaughan Williams spoke – a chain of tradition passed on from Tallis through to Parry and beyond – is still vivaciously alive.