Gordon Bok - A Rogue's Gallery of Songs for 12-String (Reissue) (1983/1999)

  • 15 Jul, 08:15
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Artist:
Title: A Rogue's Gallery of Songs for 12-String
Year Of Release: 1983/1999
Label: Folk-Legacy Records
Genre: Folk, Singer Songwriter
Quality: Mp3 320 / Flac (tracks)
Total Time: 47:34
Total Size: 129/247 Mb (scans)
WebSite:

Gordon Bok - A Rogue's Gallery of Songs for 12-String (Reissue) (1983/1999)


Tracklist:

01. McKeon's Coming
02. I'm a Rambler, I'm a Gambler
03. Thumpy
04. Duncan and Brady
05. Belamena
06. Marina/Bimbo De Colonello
07. On the Wallaby
08. Old Fat Boat
09. Ramble Away
10. A Most Unpleasant Way, Sir
11. Mist Covered Mountains/Bonnie Galway
12. Blackbird
13. St. Thomas
14. Woodworker's Litany

American folk singer, poet, songwriter and luthier, born 31 October 1939.

To call Gordon Bok the voice of the Maine coast would be kind of trite, and it would probably embarrass him. But as someone who has actually lived the seafaring life he sings about in songs like "Old Fat Boat" and "Woodworker's Litany," he delivers such material with an unusual authority, and the tunes he writes evoke with sometimes startling clarity the stark beauty and forbidding ruggedness of that region. It would be inaccurate, however, to pigeonhole him as a regional singer; although his accent is always frankly down east, the songs he sings in that accent are as likely to come from Ireland and Australia as they are to come from Maine or Nova Scotia. On this album (made at the behest of Folk-Legacy head Sandy Paton, who requested a set made up entirely of arrangements for the 12-string guitar), Bok makes a rare foray into the blues ("Duncan and Brady") and also plays a brief set of Italian tunes ("Marina/Bimbo de Colonello") as well as a charming calypso number called "Belamena." Bok's deep, rumbly voice isn't exactly a natural fit with the calypso sound, but his guitar playing is so unassumingly virtuosic that the song still works beautifully. In fact, Bok's guitar playing is itself something of a wonder of nature. He's explained it in the past by saying that no one ever told him the guitar had limits, so he's always played it as if it hadn't any. That's as good an explanation as any for his astonishing technique.


  • whiskers
  •  20:43
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Many Thanks
  • mufty77
  •  00:47
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Many thanks for lossless.