The Enfields / Friends Of The Family - The Songs Of Ted Munda (1966-68/1993)
Artist: The Enfields, Friends Of The Family
Title: The Songs Of Ted Munda
Year Of Release: 1966-68/1993
Label: Get Hip Recordings
Genre: Garage Rock
Quality: Mp3 320 / Flac (tracks)
Total Time: 50:18
Total Size: 129/319 Mb (artwork)
WebSite: Album Preview
Tracklist:Title: The Songs Of Ted Munda
Year Of Release: 1966-68/1993
Label: Get Hip Recordings
Genre: Garage Rock
Quality: Mp3 320 / Flac (tracks)
Total Time: 50:18
Total Size: 129/319 Mb (artwork)
WebSite: Album Preview
01.The Enfields - In The Eyes Of The World
02.The Enfields - I'm For Things You Do
03.The Enfields - She Already Has Somebody
04.The Enfields - You Don't Have Very Far
05.The Enfields - Face To Face
06.The Enfields - Twelve Months Coming
07.The Enfields - Time Card
08.Friends of the Family - Time Music
09.Friends of the Family - Wallace He Plays With Frogs
10.Friends of the Family - Funny Flowers
11.Friends of the Family - Blue Boat Makes Me Sad
12.Friends of the Family - Jello Lights
13.Friends of the Family - Bambi's March
14.Friends of the Family - You See I've Got This Cold
15.Friends of the Family - Last Beach Crusade
16.Friends of the Family - Hot Apple Betty
17.Friends of the Family - Together
18.Friends of the Family - Sing A Song
The Enfields were an American garage rock and psychedelic band from Wilmington, Delaware who were active in the 1960s. They were led by guitarist and songwriter Ted Munda, and their style was highly influenced by the British Invasion and folk rock. They were considered the top group in Wilmington at the time and enjoyed several local hits, though they failed to reach a wider national audience due to poor management. The Enfields broke up in 1967, but Munda went on to form the group the Friends of the Family. Ted was also in the Blues Magoos, wrote for various Publishing companies in LA, was signed to Columbia Records in 1973 with group" Hotspur", and co-wrote "Blame It On Love" for Smokey Robinson in 1983–84 on Motown. He has several albums of unreleased produced material.
Upon the demise of The Enfields (a Wilmington, Delaware outfit), Ted Munda quickly formed another band with John Rhoades and two former members of another local band The Turfs, Wayne Watson and Jimmy Crawford.
In May 1967 they entered the Virtue Recording Studios in Philadelphia to record a six song demo, which several labels (including Kama Sutra) expressed an interest in but none would actually release.
John Rhoades left the band in the late Summer of '67, being replaced by Linzee Lee and Ray Andrews, and a further five original songs were recorded in July '68. They were all passed over at the time, however, in favor of the two tracks Can't Go Home and How You Gonna Keep Your Little Girl Home, which were penned by Cameo Parkway staff writer Neil Brian.
In fact, the band were only allowed to sing on these two cuts, with hired session musicians playing all the instruments. Subsequently, the band fell out with label owner/producer Joe Renzetti, and went their own way... they didn't record again, but did get to open for The Who and Pink Floyd at the Philadelphia Music Festival in late '68, shortly before they split.
Upon the demise of The Enfields (a Wilmington, Delaware outfit), Ted Munda quickly formed another band with John Rhoades and two former members of another local band The Turfs, Wayne Watson and Jimmy Crawford.
In May 1967 they entered the Virtue Recording Studios in Philadelphia to record a six song demo, which several labels (including Kama Sutra) expressed an interest in but none would actually release.
John Rhoades left the band in the late Summer of '67, being replaced by Linzee Lee and Ray Andrews, and a further five original songs were recorded in July '68. They were all passed over at the time, however, in favor of the two tracks Can't Go Home and How You Gonna Keep Your Little Girl Home, which were penned by Cameo Parkway staff writer Neil Brian.
In fact, the band were only allowed to sing on these two cuts, with hired session musicians playing all the instruments. Subsequently, the band fell out with label owner/producer Joe Renzetti, and went their own way... they didn't record again, but did get to open for The Who and Pink Floyd at the Philadelphia Music Festival in late '68, shortly before they split.