Dunedin Consort, John Butt - Mozart: Requiem (Reconstruction of First Performance) (2014) CD-Rip

Artist: Dunedin Consort, John Butt
Title: Mozart: Requiem (Reconstruction of First Performance)
Year Of Release: 2014
Label: Linn Records
Genre: Classical
Quality: FLAC (image+.cue,log,scans)
Total Time: 61:41
Total Size: 354 Mb
WebSite: Album Preview
Tracklist:Title: Mozart: Requiem (Reconstruction of First Performance)
Year Of Release: 2014
Label: Linn Records
Genre: Classical
Quality: FLAC (image+.cue,log,scans)
Total Time: 61:41
Total Size: 354 Mb
WebSite: Album Preview
Wolfgang Amadeus Mozart (1756-1791)
Requiem In D Minor, K.626
1. Requiem Aeternam 4:28
2. Kyrie 2:32
3. Dies irae 1:49
4. Tuba mirum 3:18
5. Rex tremendae 1:57
6. Recordare 4:51
7. Confutatis 2:34
8. Lacrimosa 3:03
9. Domine Jesu 3:15
10. Hostias 2:18
11. Quam Olim Abrahae 1:40
12. Sanctus 1:35
13. Benedictus & Osanna 5:17
14. Agnus Dei 2:56
15. Lux Aeterna 2:45
16. Cum Sanctis 2:34
Misericordias Domini In D Minor, K.222
17. 'Offertorium De Tempore' 7:09
Reconstruction Of Music Performed At The Requiem Mass For Mozart 10 December 1791
18. Requiem Aeternam 4:29
19. Kyrie 2:46
Performers:
Joanne Lunn - soprano
Rowan Hellier - alto
Thomas Hobbs - tenor
Matthew Brook - bass
Dunedin Consort [on period instruments]
John Butt - conductor
Dunedin Consort presents the premiere recording of Mozart scholar David Black’s new 2013 edition of Süssmayr’s completion of Mozart’s Requiem. This GRAMMY®-nominated recording provides the opportunity to re-imagine what this work may have sounded like at its very first performance. Originally released in 2014, this recording is the first not only to use this new edition, but also to present the work using forces close in style and scale to those at the first performances. One striking element is the fact that the soloists – Joanne Lunn (soprano), Rowan Hellier (alto), Thomas Hobbs (tenor) and Matthew Brook (bass) – are also the leaders of the choir, thus giving a greater consistency to the relationship between the solo numbers and the choruses. Upon naming the recording the winner of the 2014 ‘Choral’ Award, Gramophone described the recording as ‘one of the finest Mozart Requiems of recent years’.
