Christian Doepke Trio ft. Rick Margitza - Ad Libs (2008)
Artist: Christian Doepke Trio ft. Rick Margitza
Title: Ad Libs
Year Of Release: 2008
Label: Jazz & Milk
Genre: Post-Bop, Contemporary Jazz
Quality: FLAC (tracks+.cue,log)
Total Time: 56:46
Total Size: 336 MB
WebSite: Album Preview
Tracklist:Title: Ad Libs
Year Of Release: 2008
Label: Jazz & Milk
Genre: Post-Bop, Contemporary Jazz
Quality: FLAC (tracks+.cue,log)
Total Time: 56:46
Total Size: 336 MB
WebSite: Album Preview
1. Looking For Trouble 7:21
2. Prelude 8:13
3. Green Piece 5:01
4. Heaven Knows 3:47
5. Adlibs 4:08
6. Abschiedslied 6:13
7. I Hope So 4:53
8. Sea Waltz 4:44
9. Bill's Mood 4:56
10. Think Twice 4:57
11. Guardian Angel 2:14
In the current hype involving young German jazz pianists an exclamation mark should be added to Christian Doepke's name.
Lyricism and groove should not be contradictory. The same applies to pace, depth and gracefulness, let alone swing and intelligence. In addition, the compositions of the Amsterdam-based pianist also tell wonderful stories, which really dots the i's.
Doepke, a romantic at heart like Bill Evans, who gets a beautiful tribute with Bill's Mood - as well as a realist in the tradition of Horace Silver, has developed his own signature on the 88 keys with a clear touch and a sovereign technique, that clearly distinguishes him from the German jazz pianist masses.
You'll see someone buckled down to a concert grand, who is equally familiar with sunlit open spaces in a forest and the liveliness of a metropolis, witness "Heaven Knows" and "Looking For Trouble".
Lyricism and groove should not be contradictory. The same applies to pace, depth and gracefulness, let alone swing and intelligence. In addition, the compositions of the Amsterdam-based pianist also tell wonderful stories, which really dots the i's.
Doepke, a romantic at heart like Bill Evans, who gets a beautiful tribute with Bill's Mood - as well as a realist in the tradition of Horace Silver, has developed his own signature on the 88 keys with a clear touch and a sovereign technique, that clearly distinguishes him from the German jazz pianist masses.
You'll see someone buckled down to a concert grand, who is equally familiar with sunlit open spaces in a forest and the liveliness of a metropolis, witness "Heaven Knows" and "Looking For Trouble".