Jenaer Philharmonie, Simon Gaudenz - Carl Loewe: Symphony in D Minor, Symphony in E Minor & Overture to "Themisto" (2022)

  • 20 Oct, 22:16
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Title: Carl Loewe: Symphony in D Minor, Symphony in E Minor & Overture to "Themisto"
Year Of Release: 2022
Label: cpo
Genre: Classical
Quality: FLAC (tracks)
Total Time: 58:46
Total Size: 266 MB
WebSite:

Tracklist:

1. Symphony in D Minor, SchL deest: I. Allegro maestoso (6:39)
2. Symphony in D Minor, SchL deest: II. Scherzo. Vivace (8:28)
3. Symphony in D Minor, SchL deest: III. Andantino grazioso (4:46)
4. Symphony in D Minor, SchL deest: IV. Adagio espressivo - Allegro - Adagio - Allegro (8:29)
5. Symphony in E Minor: I. Larghetto - Allegro (7:56)
6. Symphony in E Minor: II. Larghetto (5:12)
7. Symphony in E Minor: III. Scherzo. Allegro molto (4:41)
8. Symphony in E Minor: IV. Allegro non tanto (8:15)
9. Overture to "Themisto" (4:23)

Of Carl Loewe's oeuvre, his comprehensive Lied edition is best known. In contrast, his two Symphonies are rarities that we do not want to withhold from you. Unfortunately, nothing is really known about the exact circumstances of the composition and premiere of the two symphonies. With regard to the E minor symphony, Loewe himself at least left the note that the composition was completed on December 15, 1834. With regard to the D minor symphony, it is assumed that it was composed in 1835.

Especially the D minor symphony, which was composed later, comes up with surprises in its formal layout. The instrumentation is very similar to his first Symphony in E minor, but the frequent use of four horns is striking, with which Loewe takes a step further towards the typical Romantic instrumentation. When looking at the sequence of movements, the interchange of slow movement and scherzo is striking, and in the harmonic structure Loewe allows himself an extravagant excursion into F-sharp major in the introduction of the fourth movement. The recording is completed with Loewe's Themisto Overture, a compressed drama whose atmosphere comes to a head with tremolo surfaces, falling lines and syncopated counter-motives.


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