Sir Roger Norrington - Brahms: Symphony No. 2, Op. 73, Haydn-Variationen, Op. 56a & Tragische Ouvertüre, Op. 81 (2022)
Artist: Sir Roger Norrington
Title: Brahms: Symphony No. 2, Op. 73, Haydn-Variationen, Op. 56a & Tragische Ouvertüre, Op. 81
Year Of Release: 2022
Label: Warner Classics
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:12:20
Total Size: 305 MB
WebSite: Album Preview
Tracklist:Title: Brahms: Symphony No. 2, Op. 73, Haydn-Variationen, Op. 56a & Tragische Ouvertüre, Op. 81
Year Of Release: 2022
Label: Warner Classics
Genre: Classical
Quality: FLAC (tracks)
Total Time: 01:12:20
Total Size: 305 MB
WebSite: Album Preview
1. Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Theme. Andante (2:00)
2. Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation I. Poco più animato (1:15)
3. Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation II. Più vivace (1:01)
4. Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation III. Con moto (1:40)
5. Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation IV. Andante con moto (1:55)
6. Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation V. Vivace (0:54)
7. Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation VI. Vivace (1:08)
8. Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation VII. Grazioso (2:42)
9. Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation VIII. Presto non troppo (1:03)
10. Variations on a Theme by Haydn, Op. 56a "St. Antoni Chorale": Variation IX. Finale - Andante (3:51)
11. Tragic Overture, Op. 81 (12:58)
12. Symphony No. 2 in D Major, Op. 73: I. Allegro non troppo (19:37)
13. Symphony No. 2 in D Major, Op. 73: II. Adagio non troppo (8:49)
14. Symphony No. 2 in D Major, Op. 73: III. Allegretto grazioso. Quasi andantino (4:51)
15. Symphony No. 2 in D Major, Op. 73: IV. Allegro con spirito (8:45)
On the release date of our Sir Roger Norrington retrospective boxset, we also release his long-lost instrumental recordings of Brahms. Norrington approached this project after recording his Beethoven cycle, wondering if mid-19th-century would fit with his views on historically informed performance: “Tempos spacious but forthright; tempo modification, sensitive but simple; textures clear, as benefits such polyphonic writing; balance restored in favour of the winds…” A definitively original vision that gives these recordings a unique appeal.
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